Stratzrus
Roadie
- Messages
- 794
JP2C is very raw sounding.
Using the FM9 in the 4CM, would compression mitigate that?
JP2C is very raw sounding.
I'm going to set mine up soon. Will report back.Using the FM9 in the 4CM, would compression mitigate that?
It sounds exactly like the models of it on your fm9.Thanks!
The more I check it out I'm thinking the JP-2C might be a a good match for me, probably better than the Mark VII.
Both have MIDI which would pair well with my FM9.
Both are 18.75" inches wide which exactly matches my Mesa Thiele 1x12.
But I'm not really into bluesy overdrive or Classic Rock Marshall type tones. I like pristine cleans for Jazz and modern high gain tones for Rock.
Both are only 40 lbs. My other 100 watt heads weigh substantially more.
The JP-2C has two equalizers.
Anyone care to comment on their experience with the JP-2C or which they prefer and why?
It sounds exactly like the models of it on your fm9.
One thing you got to remember about Ola is that he LOVES gain and uses A LOT of it. If you are into heavily-saturated tones, that might appeal to you, but I come from the school of using just enough and riding the volume knob.
Just for reference, and pardon the pretty bad YT compression on this older video marring my point a bit, but this is maybe the best tone I’ve ever heard from him and it is just the perfect amount of gain:One thing you got to remember about Ola is that he LOVES gain and uses A LOT of it. If you are into heavily-saturated tones, that might appeal to you, but I come from the school of using just enough and riding the volume knob.
Just for reference, and pardon the pretty bad YT compression on this older video marring my point a bit, but this is maybe the best tone I’ve ever heard from him and it is just the perfect amount of gain:
compared to how Ola makes his other mesas sound this one just sounds a little “not quite there” to me, just seems to be lacking some girth or something.
I think a lot of that is his mic choice here. I actually have been looking at the SE mics for a few days so it was weird to see one pop up randomly in Ola’s video here, but I’d rather hear this mic a little further out in the cone of the speaker and blended with a dynamic mic instead of just taking this one head-on. I can still hear the tone of the amp come through, but I agree it was an interesting choice of microphone / mic location for this video.Agreed. I like the tones in this clip a lot better.
There's something about the midrange emphaisi in the Mark VII clip that I'm not loving. I had the same issue with Channel 2 on my TC-50. I eventually found a way to dial it out but I had to cut the midrange substantially. The clip Desertdweller posted sounds more balanced to me.