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@la szum got a stiffy reading this.
Haha! Pole mounted Guitar Speaker just took it away. I hope I can still se Poles in
the way I once used to.
@la szum got a stiffy reading this.
No worries.
It’s anecdotal, but out of $2000+ amps over the last 8 years, I’ve seen more Friedman in for repairs than any other brand.
They sound killer, but they just don’t instill confidence for such an expensive amp in my opinion.
I've always liked the idea of a Mesa amp, but I've never been floored by one.
In the 90's the Dual Rectifiers were super popular, but they usually sounded way too scooped, too much bass and brittle high end. I did like a Tremoverb I played a few times but didn't have the cash for it. Also kind of dug the Nomad series.
Played around with a couple Mark series amps that I came across, but at low volumes and not knowing how to dial them in, couldn't get them to sound good at all.
A couple years ago someone offered me a Mark V:25 as a trade for a Kemper that I seriously considered, but ultimately sold it to fund my Ibanez AZ.
Those little Badlander 25 combos look like they'd be pretty fun though...
It's insane to me how Recs got pigeon-holed offering up one of the worst tones they are capable of.
They are CRAZY versatile..... but most of us hear one sound in our head when we think of them.
Because options are bad. For me, toggle switches usually sit where I set them once tweaked. But still, a hardware toggle switch it not a failure prone addition. Seems to me like variable pots would be. I don’t hear anyone begging for less tone, presence, gain or other such controls. I don’t know where you can get two JCM-800’s for the price of a BE. Maybe in England. In the US, Marshall prices are much higher. I imagine Friedman prices are higher across the pond from US too.Meanwhile, you can legit buy two JCM800s for the price of one Friedman BE-100. Sure you
won't get all them toggles and other s**t that will eventually go wrong on them.
Everything is EXPENSIVE everywhere. Ugh.Because options are bad. For me, toggle switches usually sit where I set them once tweaked. But still, a hardware toggle switch it not a failure prone addition. Seems to me like variable pots would be. I don’t hear anyone begging for less tone, presence, gain or other such controls. I don’t know where you can get two JCM-800’s for the price of a BE. Maybe in England. In the US, Marshall prices are much higher. I imagine Friedman prices are higher across the pond from US too.
Glad I had my stable bought before all this pricing nonsense. Makes any future impulse buys more thoughtful and likely wise.Everything is EXPENSIVE everywhere. Ugh.
Jesus. That’s not the case here.Here in Norway I can get TWO JCM800 2203RI's and a SC20H for the price of a BE-100 Deluxe!
The Marshall prices in the US are crazy, the 2203 RI is $1955 and the mini heads are $950 here. The 2555X Silver Jubilee RI is a steal at $1380.Jesus. That’s not the case here.
I can’t even get a JCM800 RI at my discount for that.The Marshall prices in the US are crazy, the 2203 RI is $1955 and the mini heads are $950 here. The 2555X Silver Jubilee RI is a steal at $1380.
It’s not. There’s not going to be a Mark VI. it’s over, man.Mark VI is actually happening.
I mean, technically I’m right. Sort of. Purposely obtuse, yes.Excellent detective work
"It's the Brak show, it's with me, I'm Brak!"Mrak 7
"It's the Brak show, it's with me, I'm Brak!"
1) a good edge-of-breakup crunchy clean sound, though you can get it close by diming the treble, mid and gain knobs on the clean channel.
It's insane to me how Recs got pigeon-holed offering up one of the worst tones they are capable of.
They are CRAZY versatile..... but most of us hear one sound in our head when we think of them.