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It’s $2,700 more than I spent on my Mark IV
And, after taxes here, about $4000 more than I spent on TWO Electra Dyne heads.
It’s $2,700 more than I spent on my Mark IV
And, after taxes here, about $4000 more than I spent on TWO Electra Dyne heads.
Screw that!
I am not impressed.
They removed most of the unique features of the V.
Mark 1 and Tweed
Channel Voicing Switches
Solo+Mute, Output Master, Tuner Output
True Class A 10W single ended mode
Triode/Pentode in 45W mode
Diode/Tube Rectifier
Variac Power
Loop Send Level and Hard Bypass
Slave Output+Level at speaker jack
Graphic EQ Presets
All the above features are gone, these features made the V super versatile beyond just crunch and metal.
This is basically a redacted V with far less tonal options but with MIDI and CabClone IR.
And the price...
I think it sounds lovely. Probably wouldn't buy one, but it does sound lovely. I'm still leaning towards a Revv 100R.
You can run it silent.I actually really dug the more mid-gain Crunch/IIb/IIC+ tones.
Lack of midi control of channel modes really sucks. Not prying $3,500 from me today Mesa!
Question on the cab clone. Can you run the amp by itself silently, or do you have to have a speaker connected?
I feel like I might have missed some good music because I can't bring myself to listen to anything from a guy who was in a band called Danger Danger
I think Mesas, even the Cali Tweed, always sound better in high watt modes so don't care about that change.
Meh, I have like 75 other better options for recording compressed clean sounds...who cares.Usually I'd agree, at least for live, but for recording, the Tweed, Class A and Triode switches on the MkIV were something I used all the time. Especially for almost completely clean sounds they added that "just right" amount of sag/compression that's pretty tough to get otherwise, at least not as easily. For smaller gigs, I usually left the switches at Pentode and Simul Class but would pretty often use the Tweed mode.
If anything, I really miss its R1 channel, easily the best pedal platform I ever used.
Meh, I have like 75 other better options for recording compressed clean sounds...who cares.
I'd hate to be a tech working on any Mesa.
The badlander 25 would suit this.Now, what about them coming up with a vastly lighter model, featuring a super-low powered PA and a load? Not that I'd ever want to shell out that much money, but as direct and IEM gigs are becoming more and more common, people may in fact just want to use it without ever driving some real cabs. With money being no issue, I could certainly imagine doing so myself.
The badlander 25 would suit this.