Badonkey Kong
Roadie
- Messages
- 262
I don't know the origins of that first picture (but I have seen it a lot here lately ). But I do note that the knobs don't match what is scrawled on the tolex...
I've always EQ'd by raising and lowering sliders/knobs. When it sounds good I stop. Move to the next one and repeat. Etc.Not policing anyone's GEQ settings here.
I just find the conversation super interesting, and like to add in some thoughts
and experiences from an outliers point of view, and not the typical things we
tend to assume/believe about Mark amps and GEQs.
There is a lot of confusion about how scooped the mids were/are on a lot of the
iconic useage of Markseries amps over the years. I\'d even contend it borders on
a sort of mythology at this point. That the mids were totally cratered and Bass and
Treble where maxed on the GEQ.
Yet, look at the judicious use of the GEQ here, where the GEQ is used mostly (and very
little at that) to cut frequencies. Very much a professional mixing/engineering approach.
There's literally not a single slider boosting the preamp in a post-EQ manner. Hell,
even the Mids are mostly flat.
Mids are zeroed out on the tonestack/preamp side, though.
James was pretty much using more Bass in the preamp and less post/GEQ than is
popularly assumed. It's like people took what they thought he did and went way
farther. Nothing wrong with that. If it sounds good it is good.
A few years later and even Papa Het took the drugs.
I may need to try these settings. I wonder if he was using the MP-1
to reintroduce some midrange?? Because there is literally none coming
from the Mesas.
I find I can do without the GEQ when shooting for more traditional vintage tones with single coils on something like a telecaster. Similar if I’m doing the Santana thing.
For anything heavy or even aggressive, the classic boogie honk can become too much and I need to dip that middle slider at least a little bit.
There are some live scenarios where I’ve bypassed the GEQ in a weird sounding venue because I needed those extra mids to punch through.
This stuff is very contextual.
That flexibility is what first attracted me to boogie gear and essentially what sealed the Mark series into a special place in my musical world.Great post! It kind of boggles the mind that an amp developed
for someone like Carlos became something else entirely in another
player/musician's hands.
All of those Mids, and that extreme thickness in the preamp fattened
those Santana-esque single note lines nicely, and then you eliminate
all of that and the Dawn of the Chugs was upon us. Such a cool sequence
of events.
Damn I might need to dig up $900 from somewhere...
That flexibility is what first attracted me to boogie gear and essentially what sealed the Mark series into a special place in my musical world.
It’s fantastic, vintage inspired tone that can get modern and nasty if wanted. The tone fundamentals are there, whereas I feel like many modern amps just chug with lackluster tone.
Wow, $9.97/lb.
First thing I thought of. Fuckin amps are heavy!!Hilarious, Tom!
Save money on amp, spend it on deductible for hernia surgery.