Mesa Mark V Head: Excellent Shape $1,800 !?!?!?

I don't know the origins of that first picture (but I have seen it a lot here lately :D). But I do note that the knobs don't match what is scrawled on the tolex...
 
Not policing anyone's GEQ settings here.

:sofa

I just find the conversation super interesting, and like to add in some thoughts
and experiences from an outliers point of view, and not the typical things we
tend to assume/believe about Mark amps and GEQs.

There is a lot of confusion about how scooped the mids were/are on a lot of the
iconic useage of Markseries amps over the years. I\'d even contend it borders on
a sort of mythology at this point. That the mids were totally cratered and Bass and
Treble where maxed on the GEQ.

Yet, look at the judicious use of the GEQ here, where the GEQ is used mostly (and very
little at that) to cut frequencies. Very much a professional mixing/engineering approach.

X05vjd6.jpg


There's literally not a single slider boosting the preamp in a post-EQ manner. Hell,
even the Mids are mostly flat.

Mids are zeroed out on the tonestack/preamp side, though. :idk

James was pretty much using more Bass in the preamp and less post/GEQ than is
popularly assumed. It's like people took what they thought he did and went way
farther. Nothing wrong with that. If it sounds good it is good. :beer

A few years later and even Papa Het took the drugs. :LOL:


391b18548cbd7ce97bd10d0777e0a572.jpg


I may need to try these settings. :unsure:I wonder if he was using the MP-1
to reintroduce some midrange?? Because there is literally none coming
from the Mesas. :idk
I've always EQ'd by raising and lowering sliders/knobs. When it sounds good I stop. Move to the next one and repeat. Etc.

But then, I go back and do it again and again, until every slider/knob position is already in the best spot, and I don't have to move anything.

During this process, I'll also adjust the gain as needed.
 
I find I can do without the GEQ when shooting for more traditional vintage tones with single coils on something like a telecaster. Similar if I’m doing the Santana thing.

For anything heavy or even aggressive, the classic boogie honk can become too much and I need to dip that middle slider at least a little bit.

There are some live scenarios where I’ve bypassed the GEQ in a weird sounding venue because I needed those extra mids to punch through.

This stuff is very contextual.
 
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I scooped the Mids and tried to Chug last night. My apologies to the entire guitar playing and enjoying Universe.


:hugitout

If we are all blessed enough it will never happen again. :sofa




:rofl


Seriously, it is just not my style or in my wheelhouse anymore. :brick
 
I find I can do without the GEQ when shooting for more traditional vintage tones with single coils on something like a telecaster. Similar if I’m doing the Santana thing.

For anything heavy or even aggressive, the classic boogie honk can become too much and I need to dip that middle slider at least a little bit.

There are some live scenarios where I’ve bypassed the GEQ in a weird sounding venue because I needed those extra mids to punch through.

This stuff is very contextual.

Great post! It kind of boggles the mind that an amp developed
for someone like Carlos became something else entirely in another
player/musician's hands.

All of those Mids, and that extreme thickness in the preamp fattened
those Santana-esque single note lines nicely, and then you eliminate
all of that and the Dawn of the Chugs was upon us. Such a cool sequence
of events. :idea
 
Great post! It kind of boggles the mind that an amp developed
for someone like Carlos became something else entirely in another
player/musician's hands.

All of those Mids, and that extreme thickness in the preamp fattened
those Santana-esque single note lines nicely, and then you eliminate
all of that and the Dawn of the Chugs was upon us. Such a cool sequence
of events. :idea
That flexibility is what first attracted me to boogie gear and essentially what sealed the Mark series into a special place in my musical world.

It’s fantastic, vintage inspired tone that can get modern and nasty if wanted. The tone fundamentals are there, whereas I feel like many modern amps just chug with lackluster tone.
 
That flexibility is what first attracted me to boogie gear and essentially what sealed the Mark series into a special place in my musical world.

It’s fantastic, vintage inspired tone that can get modern and nasty if wanted. The tone fundamentals are there, whereas I feel like many modern amps just chug with lackluster tone.

Precisely! You can make the amp unrecognizable to itself. Maybe that is why some struggle so with Marks. :idk
 
Killer price combo or not!!!! And at least those combos are closed back!

I'd love another roadster. 0 regrets trading mine for a mark V, but they're seriously awesome amps
 
Yup. Big tube amps are stupid. :brick

Like muscle cars and trying to find leaded gas to put in them.

And also awesome and full of nostalgia. :banana

Fucking nostalgia. :facepalm
 
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