I actually think Randall Smith was the single most important amp designer builder of
the Modern era. Leaving Leo and Mr. Marsahll out of the equation for now---even if
one could argue that Randall made more innovations and unique amp designs with
more variety than either James or Leo. I mean, Leo had the Tweed thing and the Black
Panel thing---and then different wattages/output configurations. So not an huge
range of colour there. James Marshall had the JTM/JMP/JCM thang. 1970's rock would
not exist without Marshall (nor Hair Metal and the 80's rock).
Now look at Randall. You have the Mark Series 1st iteration which was also akin to being
the Proto Dumble. Fat, soaring leads without much hair but a lot of harmonic content
and volume/headroom for cats like Santana.
Then the Mark series is totally repurposes into crushing, mid-scooped Metal and enough
low-end to make Jason Newsted cry to be heard in a mix for all of Eternity. The IIC+, the
III, the IV. Marks will live forever and you can literally do anything from Master Of Puppets
to Phish.
Fast forward to the early 1990s and here comes the Bro-est of all Bro Amps ever made, Bro!
Dual Rectifier kicking down Yo Momma's door to have relations with her.
No one. No one influenced .... wait that word is not strong enough..... no one impacted Modern
Guitar Music and shaped how it would sound as much as Mesa Boogie and Randall Smith.
What a legacy. Like a great Football franchise putting a statue of their best player out in front
of the Stadium, there should be one for Randall Smith somewhere close to Mesa Boogie's
ongoing place of operations. Celebrate the man! Laud him. Own the legacy. Put it front and
center Gibson, like the first pair of denim pants that became Levi's.