Are you planning on running the QSC stereo or bridged mono? Either way, I imagine there are plenty of options with smaller footprints.
Are you planning on running the QSC stereo or bridged mono? Either way, I imagine there are plenty of options with smaller footprints.
Ok this might have moved to the front burner. 18% off today on Amazon and can be here tomorrow.
One thing that holds me off though: it's 28 lbs! Add in a 10 lb 3U rack case and you're at 38 lbs, which is only 5 lbs less than my actual Electra Dyne head. Throw in something to fill the 3rd rack space and you're at the same weight...
But.... but.... you were imploring me to go back to tube power and you are doing this
behind my back the entire time.
Man, TS. This is going to be hard to overcome.
We need clips dammitOkay, I finally made some Electra Dyne captures! Went very well and I'm super impressed, kind of freaked out, actually.
It's one thing to watch amps get profiled/captured on YT over the years, but I've never done it myself, and to do it in person and see/play results that are so scarily accurate, with an amp I know so well, it kind of blew my mind.
The Electra Dyne has been my #1 since 2017 for both my band and playing at home and I play it almost every single day. I'd say the QC capture is pretty much exact in terms of overall tone and dynamics + how it responds and feels. Super impressed and happy with it.
Some general notes:
- I used the line out on the Dyne with the head still connected to the Recto cab, no load box needed
- took some messing around with levels on the line out and QC input 2, but I actually got a great capture on my second try, very easy process overall
- only disadvantage to using the line out/no load box is the cab still produces sound, so all the otherworldly, 8-bit-meets-AI robot capturing tones were blasting VERY LOUD throughout my house, even with the Dyne set at my usual “loud home theatre” levels; my family upstairs were like, “wtf is going on down there”
- this ^^^ has me concerned about my speakers, if I try and capture the Dyne with my 4x12 at band practice volumes, can those old V30s withstand that?
> the Dyne opens up nicely with the master at 9-9:30, which is hilariously, ungodly loud, and I'd like to get the capture with the amp in that state, however I love that old cab and would be hugely upset if anything happened to it
- overall I made two great captures: one crunch/blue channel and one clean/green (never use red channel)
- so cool that I can now use these as portable, digital versions of my amp, anywhere and in multiple ways
This is the happiest I've been playing any amp model/profile/capture, from any company. My hands and ears are very attached to the Dyne, for better or worse, so I was always trying to find something similar in the Fractal/L6/Kemper worlds, and while I had fun and found other great models and sounds, it was never my “home base”, which is the Electra Dyne, truly a unique/niche amp that isn't modeled by anyone (yet).
We need clips dammit
Well, that was unexpected... all the GX5 did was show me how much more I like the ISP Stealth Pro as a power amp.
The ISP sounds and feels 1000X better - like, undeniably and quite noticeable - very surprising. I guess because it's designed for exactly this, ie. being a solid state guitar power amplifier? The difference is remarkable. Much more dynamic and responsiveness, feels better and even has a "bigger" sound to it. This is at the exact same volume levels and with the same Recto 2x12 cab. (They were oddly the same volume at the same 1 o'clock setting, with the QC output level kept consistent.) The GX5 feels flat and lifeless in comparison and very uninspiring. First time comparing SS PAs, now I see how much it can impact the sound and feel.
Maybe if I played with QC output levels vs GX5 volume settings, I could get more life out of the GX5, but add to it that the ISP is only one pound (!) and slightly bigger than a Stomp (albeit with a large and weird laptop-type power supply), and it's crazy really. At 28 lbs, the GX5 feels ridiculously heavy and cumbersome; it actually feels like more than 28 lbs, the way the weight sits. (The 100W Fillmore head at 35 lbs was much easier to grab by the handle and move around, for example.)
So the GX5 is already packed up and ready to return. Oh well.
That's too bad - the GX5 is class D? ISP is class AB - you might also be interested in the organge pedal baby or KSR PA50. Matrix is class AB too but hard to find and expensive
Thanks. I was just thinking that, re. the Class A/B of the ISP. I think the GX5 is Class H?
My main interest in the GX5 was having more power available than the 180W ISP - which sounds great but hasn't been enough power at band practice - so the 100W Pedal Baby doesn't add anything, although I would like to try it out of curiosity. There is a used 2U Matrix available near me, but I'm hesitant after reading about reliability issues and lack of repair optons/service. (There's a guy on the Fractal forum who says his caught on fire!?) The KSR PA50 looks very cool, I think @PBGas had one and liked it?
I've been in this rabbit hole before and always reach a, "Eh, this is why a big tube head is best for me, anyway" conclusion. But it's fun to look around and try the different options, to a point. It really is a glaring hole in the using-modeless-live situation.
KSR PA 50 is a fantastic unit! Loud, clear and lots of adjustment available as well as being easy to bias if you need to change the tubes. Solidly built unit.Thanks. I was just thinking that, re. the Class A/B of the ISP. I think the GX5 is Class H?
My main interest in the GX5 was having more power available than the 180W ISP - which sounds great but hasn't been enough power at band practice - so the 100W Pedal Baby doesn't add anything, although I would like to try it out of curiosity. There is a used 2U Matrix available near me, but I'm hesitant after reading about reliability issues and lack of repair optons/service. (There's a guy on the Fractal forum who says his caught on fire!?) The KSR PA50 looks very cool, I think @PBGas had one and liked it?
I've been in this rabbit hole before and always reach a, "Eh, this is why a big tube head is best for me, anyway" conclusion. But it's fun to look around and try the different options, to a point. It really is a glaring hole in the using-modelers-live situation.
Well, that was unexpected... all the GX5 did was show me how much more I like the ISP Stealth Pro as a power amp.
The ISP sounds and feels 1000X better - like, undeniably and quite noticeable - very surprising. I guess because it's designed for exactly this, ie. being a solid state guitar power amplifier? The difference is remarkable. Much more dynamic and responsive, feels better and even has a "bigger" sound to it. This is at the exact same volume levels and with the same Recto 2x12 cab. (They were oddly the same volume at the same 1 o'clock setting, with the QC output level kept consistent.) The GX5 feels flat and lifeless in comparison and very uninspiring. First time comparing SS PAs, now I see how much it can impact the sound and feel.
Maybe if I played with QC output levels vs GX5 volume settings, I could get more life out of the GX5, but add to it that the ISP is only one pound (!) and slightly bigger than a Stomp (albeit with a large and weird laptop-type power supply), and it's crazy really. At 28 lbs, the GX5 feels ridiculously heavy and cumbersome; it actually feels like more than 28 lbs, the way the weight sits. (The 100W Fillmore head at 35 lbs was much easier to grab by the handle and move around, for example.)
So the GX5 is already packed up and ready to return. Oh well.
Sharing is caringOkay, I finally made some Electra Dyne captures! Went very well and I'm super impressed, kind of freaked out, actually.
This is the happiest I've been playing any amp model/profile/capture, from any company. My hands and ears are very attached to the Dyne, for better or worse, so I was always trying to find something similar in the Fractal/L6/Kemper worlds, and while I had fun and found other great models and sounds, it was never my “home base”, which is the Electra Dyne, truly a unique/niche amp that isn't modeled by anyone (yet).