I use a seinhieser e906 to mic a real Friedman 4x12 with greenies and have zero fizz it translates perfectlyThat top end content (fizz) is very authentic... and spot on... in my experience mic'ing cabs/speakers. I like it
being there. Stock and second hand IRs sound dark and muffled to me now. Never did before.
e906 is so easy to work with, very little fizz indeed. It can sometimes be hard to get "that" sound from a Marshall with it so I have a SM57 around, but usually you have to move it around like 8 times before you find the spot , while the 906 is happy anywhere almost.
Cuts vary depending on your room acoustics and what type of cab/speaker/monitor/"FRFR" one is using, will all vary greatly
What were the glitches people were referring to?
Mostly User Errors Some glitches in FM edit but all or Mostly all solved
Bro I’ve thought about this so much. Imagine being Cliff. You’ve created (for better or worse) the most complex and exhaustive guitar amp modeler on the market. You’ve spent more than a decade refining the modeling, adding features, squashing bugs, and pushing the limits of the hardware until a full redesign is inevitable.
Someone circled that feature in the editor drop down which is super helpful. I don't pay attention to the FAS forum as much as i used to so it's tough to keep up on new stuff. Seems like most users there are in the Axe III are. I have the FM9.
Yeah the Ribbon is the only mic that hasn’t been confirmed or, at least, strongly suggested. (Though we can consider the Soyuz confirmed, as far as I’m concerned.)
Refresh after firmware just tells the editor to go out and read block information on the device (AX3, FM9, FM3). Reading block information on the device ensures that the block information stored in the editor properly reflects any new features or changes included in the new firmware.
Tone matching was meant to be the "make this model match your real amp of the same model", but it's only available on the Axe-Fx 3 and it's difficult enough to use and understand that most people never touch it. The tone matching manual alone is several pages long on how to setup all your gear for doing it right. The block itself is like getting a signal generator in front of you.
Agree, there are a lot of usability that could be simplified or added in edit software, i would much prefer seeing this instead of adding other amps or effects
How is anyone supposed to know? Cliff teased that parent > 3 years ago. Frankly, I think I’m passed expecting anything to come of it, but ya never know. I imagine Cab Lab 4 is the more immediate project, since it was “just around the corner” back in May or something.
Also, I wonder how many people that own a Fractal unit have a large lineup of amps compared to those who buy profile/capture devices. I imagine the main idea behind the Kemper, Tone X, QC is to take your own amp tones on the go. Fractal has been build your own tones from the ground up for amps you don't have.
