Which is exactly what happened in the live sound world when the X32 was first introduced ..... but enough people got hold of it and gave it (gasp) really good reviews.And if Behringer made a World Class Modeler unit, the butt hurt from gear snobs would be off the charts ..... kind of like running naked, backwards thru a corn field.
I could hear them turds a crying !!!!
X32 was a derivative of a MIDAS digital mixer with Klark Teknik digital algorithms and Behringer high volume manufacturing. It wasn't a knock off of anything really, but it checked a ton of boxes for a very low price.... and it sounded WAY better than the digital mixers in its market (Yamaha LS9) which ran in the 20K range at that time (The X32 was 3K).Behringer was always kind of a knock off company as far back as I remember in the 90's. I owned some of the rack stuff but wouldn't ever confuse them for being innovative. They do have a lot of success with the X32 digital mixer series and that's been really popular for live systems. I have no idea if that's a knockoff of anything though.
At the end of the day I don't think Behringer makes a digital modeler because there's no room for them anymore. They aren't going to compete in the $1000+ space against Helix, Fractal, QC, Kemper, etc. They aren't going to compete in the mid-level space against Pod Go, Boss, Headrush, etc. And they aren't going to compete in the low end space against Hotone and Valvetron or whatever the hell they are called.
And Behringer owns TC Electronics.I gigged with a G System and it was great. I set up a rack with pedals with it and it worked really well. The Boss MS3 is a strong competitor with it’s 3 loops and ability to change amp channels via relay, and the HX effects is probably the best modern solution, and can be found relatively cheap on the used market.
I currently use the VP4 and while the effects are absolutely top notch, it simply does not have the routing or control flexibility of the HX effects or Boss MS3, but the difference in fidelity absolutely cannot be denied, especially in the reverbs and the awesome plex delay block.
Seems like a G System with TC verbs and delays and a modern capture capability would be a winning combo.