Let's Be Honest Here (Covers vs Original & The Music "Biz")

My band is dropping our first single tonight. Show me how to monetize it, please. 🙏

Congrats on the single - please post it!

Get the work on DISCO, a site that allows you to catalog the work, tag it for searches in Disco, have your own channel and page, and have it come up in searches by actual clients who pay money.

You control it, it's not like Taxi or things like that, it's direct to client, B-to-B.

It's inexpensive, and it's a growing source of licensing music. Showrunners, music directors, gaming companies, etc., do searches on DISCO and once your stuff is tagged, it'll turn up on people's search lists automatically.

I learned about this via an LA talent agent.

It's not just bands, of course. Companies involved in licensing also offer their catalogs on DISCO; so it's a good way to find companies who will promote your work non-exclusively. Non-exclusive licensing deals are key here. That way you're not stuck with only one resource.

I mainly say this because I'm familiar with licensing as a source of income.

Is the stuff suitable for ads, TV or films? Well, it doesn't have to be all that accessible. Consider gaming companies who use different genres, including heavy guitar based music.

All this might be helped by streams on social media, Apple Music, Spotify, and Amazon. I really don't much like social media, so that's a bullet to bite - but get enough streams and it's easier to find licensors and get some attention from folks in films and advertising. This is also true of generating label interest.

There are companies like CD Baby who will post your stuff to these streamers for a very small fee.

Get your stuff out to ad agency producers as examples of your stuff that might work with picture. There's an ad agency Red Book that lists just about every agency in the US. It will take some persistence, do not take 'no' for an answer. Just keep sending stuff and making follow up calls. This is how I broke into the ad business while still running a law firm, and if I can do that with what I was doing full time, anyone can.

I hated making those calls - hated it - but it paid off. I'll try to come up with other ideas.

EDIT - get the stuff out there to ad music companies to show what you can do. Most will hire talented people to do custom work, or license things from their catalogs.

One thing is certain: You can't hit a home run unless you step up to the plate to bat.

Another word of advice: Everyone in any business who can use your work is your best friend. Everyone. So be easy to work with, kind, and available to them. Do not get pissed off at people. Do not treat your work as though it came down from the heavens, be flexible. Most work that pays is a collaborative effort. Let them make suggestions; don't be a prima donna. I've learned so much from my clients as to what works, even when I thought I was right and they were wrong, they were usually right on the money.
 
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Ted Templeman "If you record a proven hit, you're half way to your own" (To Van Halen regarding You Really Got Me)

Also, anyone who says nothing can be done on the guitar that hasn't already will eventually have to put their foot in their mouth.
 
Also, anyone who says nothing can be done on the guitar that hasn't already will eventually have to put their foot in their mouth.

So, playing the foot is the future!

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When I was 14 and got into Vai, all I could think was “How is anyone going to top that kind of technical prowess?” and then Tosin came out and made Vai and Petrucci say “How the fuck is he doing that? I don’t even understand it”

My mentality wasn’t capable of seeing beyond Vai’s abilities, but Tosin’s obviously was. And the players that will come after him or the Matteos or any of the current virtuoso guys will be the ones pushing it into different directions.
 
The money making end isn't in performing or playing on someone else's record - never has been - it's in writing.

Sure, but there's vastly less jobs than in the player's department, at least over here.
And I'm pretty certain that those very writing jobs will quickly become a victim of AI, especially in advertisement. It's already starting.
But let's just wait and see, things are moving on at an incredibly pace, so we will see drastical changes in the next 1-3 years.

IMO live playing will become the last at least somewhat bigger resort for at least some folks to generate some money from music. And even that is already dwindling away (again: at least over here).
 
When I was 14 and got into Vai, all I could think was “How is anyone going to top that kind of technical prowess?” and then Tosin came out and made Vai and Petrucci say “How the fuck is he doing that? I don’t even understand it”

My mentality wasn’t capable of seeing beyond Vai’s abilities, but Tosin’s obviously was. And the players that will come after him or the Matteos or any of the current virtuoso guys will be the ones pushing it into different directions.
Matteo Mancuso and Tim Henson are two more that got the attention of some of the guitar gods of today. I really like what Tim has done in Polyphia. I could also listen to Mancuso all day and never get tired of him.
 
Sure, but there's vastly less jobs than in the player's department, at least over here.
And I'm pretty certain that those very writing jobs will quickly become a victim of AI, especially in advertisement. It's already starting.

There are fewer jobs as session players; that's been a dwindling situation for quite some time, and I can't disagree. In addition, it's not hard to play an instrument you're only passable at for 29.5 seconds doing simple things. I'm guilty of that.
 
There are fewer jobs as session players; that's been a dwindling situation for quite some time, and I can't disagree.

I'm not even talking about session players (that has never been a truly big thing over here, at least not in my lifetime), but they will likely be replaced by AI stuff pretty soon as well, at least for anything only requiring whatever kinda standard stuff.

Really, just recently I was listening to some actual Suno (possibly the currently leading "I do it all" music AI) stuff again and it's nothing but scary.
There even seems to be a version now that is composing for movies that you can upload. And by now you really need to know the used instruments pretty well to be able to tell it's not played by a human being.
The most scary thing possibly being the pace at which all things AI improve.
 
Suddenly an old tune from the radio popped up at work. I'm not sure if it was a hit in America or not.

Art for Art's sake
Money for God's sake

10CC

 
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I'm not even talking about session players (that has never been a truly big thing over here, at least not in my lifetime), but they will likely be replaced by AI stuff pretty soon as well, at least for anything only requiring whatever kinda standard stuff.

Really, just recently I was listening to some actual Suno (possibly the currently leading "I do it all" music AI) stuff again and it's nothing but scary.
There even seems to be a version now that is composing for movies that you can upload. And by now you really need to know the used instruments pretty well to be able to tell it's not played by a human being.
The most scary thing possibly being the pace at which all things AI improve.
One of my son's pals develops AI software. He says it writes incredible music.

Writing for picture is still a collaborative thing, however, and personal communication and creativity are still important.

I can't say that won't change in the next five minutes. For now, the folks I work with still want real musicians. So I'm going to try to not freak out! :rofl

Edit: Are there convincing AI hookers? If so, got a link? :pickle
 
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