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II'm gonna cancel the True Spring, honest.
I'm pretty sure I'm going to love the Caverns, too (maybe even more than the True Spring), so oops. Apparently I'm a pedal guy now.
II'm gonna cancel the True Spring, honest.
WelcomeApparently I'm a pedal guy now.
I've already spent a few hours with a friend's True Spring (and a Mesa TA-30.) It impressed me as being best paired with a clean amp for all the vintage Fender-y stuff it wants to do. It was fine/ functional for smoothing out high gain tones, but I had to make an effort to dial back all of the "character" it wants to throw around. I'm actually expecting the Caverns to be better-suited to high gain tones. (I like having delay available for leads, and the other reverb modes will be welcome, too.)This pedal's been on my radar forever. Looking forward to your thoughts after trying it with some high gain tones.
I find this to be a case with all SA reverbs and delays, whereas my Strymons seem to be already "dialed back". I have the True Spring algo on my SA Collider but it has less adjustability than the separate pedal, and no Tremolo of course.but I had to make an effort to dial back all of the "character" it wants to throw around.
I usually just use room reverb or plate and I can't remember the last time I turned on a delay.
However, I still very much view them as essential. Can anyone recommend a combo reverb delay pedal or some "basic reverb/delay" that will get the job done for a non reverb/delay connoisseur?
Why stop there, when you can get a whole tc electronic System 6000?
Delayed (fittingly) reaction: Is a digital emulation of spring reverb any more “physical” than anything else I own?Welcome
Physical gear is infinitely more fun while infinitely more expensive
Yep. In another recent thread, I wrote this about the True Spring:I find this to be a case with all SA reverbs and delays, whereas my Strymons seem to be already "dialed back". I have the True Spring algo on my SA Collider but it has less adjustability than the separate pedal, and no Tremolo of course.
“The controls are wide and sort of asymmetrical, if that makes sense? (tl;dr - it's easy to get yourself in trouble.)”
Please report back on preset switching times!HX One out for delivery a day early
In this case, I think it's just a matter of really targeting the "surf" demographic, with lots of in your face drip, etc. But yes, there seems to be a logarithmic vs. linear thing (or vice-versa) happening that makes some of the controls more finicky than maybe they could have been? Still haven't gotten mine out of the box, so further opinions TBD. :)Why do designers do this - Include excessive range of effect that serves absolutely no purpose unless you're Roger Waters on LSD?
Delayed (fittingly) reaction: Is a digital emulation of spring reverb any more “physical” than anything else I own?
I can agree with this. I have the mini version of both the HOF first gen and the Flashback. I bought the HOF mini to put in the effects loop of my amps that don't have reverb. I have the Flashback mini on a mini pedal board I built. I use the full size version on my full size boards. It is a good bang for the buck. Both of these are able to be bought at good prices used.If you don't need stereo, then I would suggest the combination of the 1st generation tc electronic HOF mini and Flashback mini, or the tc electronic Skysurfer mini digital reverb and Bucket Brigade analog delay. If you need stereo, then the full size versions of the Hall of Fame and Flashback, or the combination of any Boss compact delay and reverb, such as the DD-8 and RV-6. You might also consider the tc electronic Plethora X3, which will give you more flexibility.
Please report back on preset switching tim
I thought about those but the dispatch master has some wonderful reviews and it's not uncommon to see "best pedal I've owned".If you don't need stereo, then I would suggest the combination of the 1st generation tc electronic HOF mini and Flashback mini, or the tc electronic Skysurfer mini digital reverb and Bucket Brigade analog delay. If you need stereo, then the full size versions of the Hall of Fame and Flashback, or the combination of any Boss compact delay and reverb, such as the DD-8 and RV-6. You might also consider the tc electronic Plethora X3, which will give you more flexibility.
Not questioning better vs. worse (or as you said, "fun"); questioning "physical".
Well if your only other spring reverb is the QC version, then anything is better
I think spring verbs are a little more unique as a true physical spring is not really pedalboard friendly.Not questioning better vs. worse (or as you said, "fun"); questioning "physical".
As for "more expensive", the QC sets a pretty high bar LOL.
Verdict:Time to deep dive on the True Spring and try to convince myself I need it LOL.