D
“Hey guys, what if we do a bad knockoff on Vox diamond patter that’s far enough away we won’t be told to stop, and a bad knockoff of Charvel lava/crackle finish from the 80s!!!!!”
Did they have the same consulting firm as quilter
Yeah the Tone King isn’t my sort of sound personally, but that did sound stellar. Pete’s demo in particular was amazing.Ok, I gotta admit that the Tone King Imperial pedal has my needle moving. I really don't exactly have a need for it, wouldn't exactly fit into the concept of my current board and I'm pretty much sorted regarding all things recording - but still, from what I've heard so far, the tone of the amp (which I always loved) seems to be pretty much there.
Guess it's gonna be quite expensive, so it'll fortunately be way out of my impulse buying leeway.
Aristides have a new offset model.
Collings have a new offset too.
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I wish they would do that IRX thing with the SLO just through that in a pedal and that would be killerYeah the Tone King isn’t my sort of sound personally, but that did sound stellar. Pete’s demo in particular was amazing.
You have read my mind.I wish they would do that IRX thing with the SLO just through that in a pedal and that would be killer
I think they may but Synergy is kind of like NDSP slow as molasses
Well it hipped me on to the Korneff Shure Loc-Level ug which I'm demoing right now and I really dig.Says "sick gear" and shows 100% bog standard stuff. NAMM 2025 in a nutshell.
Fwiw, I actually wanted the exact opposite. An analog frontend for a digital amp/fx unit.
In a recent Chasing Tone Podcast, the CEO of NAMM said they’re really cracking down on public attendees.but fuck me ever since it more or less became a public show it's been lame AF.
Collings have a new offset too.
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Honestly at this point I feel like I might as well be looking at the Astro since if I got a Syn20 I would put an SLO 2module in itYou have read my mind.