I'm happy that my favorite settings helped you, too.
Just a little more information (just imho and ymmv):
Ripple and hum=0
This way you reduce the chance of ghost notes (that I don't consider like a "nice" character of any amp) and of weird intermodulation distortion not depending only on the notes you play.
High Bias and low Bias X
These settings reduce the crossover distortion. Ok, this can add a nice character for some ears, but not for me... and the high bias compensates also a little the effect of the -->
Low sag
Well, I found out that I simply don't love the effect of higher sag, that is a kind of compression/delay in the pick attack. Maybe just with clean tones I can stand a little higher sag.
Low master level
This is an excellent tip I got from
@James Freeman. He also suggested a way to test the proper level to adjust the master level that will depend on your pickups and preamp gain (bass=0 mids=0 treble=max presence=max; then with the pedal edit mode you can try the master from 0 to 10 and hear when the master just adds only compression/squish/noise: that's the level that you may not want to go beyond because it just doesn't add of lot of musicality but only final tube amp compression and sound "congestion").
So I found out that often a rather low adjustment of "master" level is very helpful to get a more musical sound (even between 2 and 3 when you have a lot of distortion) with the Helix amp sims.