KingsXJJ
Rock Star
- Messages
- 2,726
I’ve got quite a collection of these guys. I have or have had them all. With very few exceptions, I’ve been able to obtain what I consider excellent tones out of them. Tones I would/could/have used for creative and recording purposes. I’m primarily a gain player. From Plexi through to 5150, Mesa, Friedman and a bit beyond. I value tone, feel and balance. My personal sensitive pet peeve or overly-weighted criteria lies at the end points of the experience… flabby lows and grating highs. These seem critical to me when not using a physical cab/amp and while using headphones these can be unforgiving.
Most of these vary quite a bit in what they offer and how they do it as far as end result. From digital to analog. White-Box to Black-Box. From relatively complex and highly tweakable to knobs and switches or just captures/profiles. From IR’s to analog to Dynamic-Cab speaker emulation.
So what floats your boat and why? Choose up to three if needed. You can rank them and say why you multiple-choice it if you wish.
Most of these vary quite a bit in what they offer and how they do it as far as end result. From digital to analog. White-Box to Black-Box. From relatively complex and highly tweakable to knobs and switches or just captures/profiles. From IR’s to analog to Dynamic-Cab speaker emulation.
So what floats your boat and why? Choose up to three if needed. You can rank them and say why you multiple-choice it if you wish.