In the Freidman line you likely want the HBE thats the BE with and extra gain stage and a slight mid emphasisNeed help from the Fractal guys. It has a model of a be100?
I am probably returning a friedman ir-x i bought recently. It has perfect high gain rhythm tone when boosted with ts. Percussive, touch sensitive, responds to volume. the problem i noticed is that when soloing in the upper registers, the notes are very fundamental and lack harmonics. Pinches and screams barely work and sound terrible. Pinch harmonics sound great on lower notes but not higher up. it makes rhythm playing effortless, but soloing sounds one dimensional.
Does the be100 model do the same thing? Ive never played a high gain amp that doesnt scream with a ts in front as a treble boost. Im trying to figure out if this is a friedman thing, or a be100 thing? or an ir-x thing? Or if it is potentially defective.
Ive been listening to all the be100 demos and i havent heard anyone do screamers on them. Many handfuls of demos and the soloing tone sounds very fundamental and basic. It does a percussive evh thing, but not a satch / vai thing.
As you fractal people have access to all the models, is the be100 lacking harmonics in upper registers compared to a 5150?
Need help from the Fractal guys. It has a model of a be100?
I am probably returning a friedman ir-x i bought recently. It has perfect high gain rhythm tone when boosted with ts. Percussive, touch sensitive, responds to volume. the problem i noticed is that when soloing in the upper registers, the notes are very fundamental and lack harmonics. Pinches and screams barely work and sound terrible. Pinch harmonics sound great on lower notes but not higher up. it makes rhythm playing effortless, but soloing sounds one dimensional.
Does the be100 model do the same thing? Ive never played a high gain amp that doesnt scream with a ts in front as a treble boost. Im trying to figure out if this is a friedman thing, or a be100 thing? or an ir-x thing? Or if it is potentially defective.
Ive been listening to all the be100 demos and i havent heard anyone do screamers on them. Many handfuls of demos and the soloing tone sounds very fundamental and basic. It does a percussive evh thing, but not a satch / vai thing.
As you fractal people have access to all the models, is the be100 lacking harmonics in upper registers compared to a 5150?
I'd be curious if an unmodified be100 model can get those kinds of sounds. No telling what the fractal modeling stack will enable you to do.I use the various Friedman models with a high master volume setting, usually between 6 and 10, and in those ranges, I get really responsive leads. I haven't been able to pick up the guitar recently to be able to verify that they get the harmonics you're talking about specifically, but to my ears they sound very alive, and unbelievably responsive to riding the volume knobs on the guitar. I always turn up the MV because the Friedman models sound both dark and mid scooped in a bad way to me with low MV. My favorite model is the SmallBox. To me it's like the ultimate booster Marshall tone, without needing a boost.
Maybe it's the lack of the real power amp section, which Fractal, in contrast, faithfully recreates!I'd be curious if an unmodified be100 model can get those kinds of sounds. No telling what the fractal modeling stack will enable you to do.
Just to be clear, I can shred on it. Its a very percussive sound, but also very fundamental. Its as if higher order harmonics were rolled off. It doesn't impact squealies on the low strings, but if you try to do them on the higher strings, they just sound one dimensional and bad, like half of them are missing.
It's kinda incredulous that it cant do them as every high gain tube amp I've ever played can get them. Then I realize this might just be the "friedman sound" where there is a strong upper mid spike, but he cuts off everything above that to leave a very fundamental sound. Or it could be an IR-X thing, where he does it so that it sounds good direct.
I think you are detecting the notorious Friedman 'smoothness' in the upper mids... that's like his trademark as a designer. Some of his amps don't have that quality (notable examples: JEL, Plex), but that is Dave's personal preference, so if he tuned it they're voiced like that.I'd be curious if an unmodified be100 model can get those kinds of sounds. No telling what the fractal modeling stack will enable you to do.
Just to be clear, I can shred on it. Its a very percussive sound, but also very fundamental. Its as if higher order harmonics were rolled off. It doesn't impact squealies on the low strings, but if you try to do them on the higher strings, they just sound one dimensional and bad, like half of them are missing.
It's kinda incredulous that it cant do them as every high gain tube amp I've ever played can get them. Then I realize this might just be the "friedman sound" where there is a strong upper mid spike, but he cuts off everything above that to leave a very fundamental sound. Or it could be an IR-X thing, where he does it so that it sounds good direct.
I've got it in the loop of my mfx and am using it with a "Gold Drive" model (Klon) with treble boosted and its sounding really good now. I need to decide if the IR-J would suit me better, but this gets killer thrash/metal tone with the right boost.a) The TS rolls of highs at around 5K which definitely effects high note pinch harmonics.
I will have to try the IR-J. I like this pedal format.I think you are detecting the notorious Friedman 'smoothness' in the upper mids... that's like his trademark as a designer. Some of his amps don't have that quality (notable examples: JEL, Plex), but that is Dave's personal preference, so if he tuned it they're voiced like that.
Give me an example of what notes you'd be playing, and where/which strings, and I can check it out...As you fractal people have access to all the models, is the be100 lacking harmonics in upper registers compared to a 5150?
They happen everywhere below 12 fret. The notes above 12 on the high string seem to have rolled off harmonic content so the notes sound more smooth wthout buzz. For instance when compared to a 5150. I like some buzz and sparkle up there. Using a klon clone with treble boost is helping alot.@cragginshred never seems to have any trouble getting pinch harmonics out of any of the Friedman amps he's owned
Need help from the Fractal guys. It has a model of a be100?
I am probably returning a friedman ir-x i bought recently. It has perfect high gain rhythm tone when boosted with ts. Percussive, touch sensitive, responds to volume. the problem i noticed is that when soloing in the upper registers, the notes are very fundamental and lack harmonics. Pinches and screams barely work and sound terrible. Pinch harmonics sound great on lower notes but not higher up. it makes rhythm playing effortless, but soloing sounds one dimensional.
Does the be100 model do the same thing? Ive never played a high gain amp that doesnt scream with a ts in front as a treble boost. Im trying to figure out if this is a friedman thing, or a be100 thing? or an ir-x thing? Or if it is potentially defective.
Ive been listening to all the be100 demos and i havent heard anyone do screamers on them. Many handfuls of demos and the soloing tone sounds very fundamental and basic. It does a percussive evh thing, but not a satch / vai thing.
As you fractal people have access to all the models, is the be100 lacking harmonics in upper registers compared to a 5150?
Thanks. Ive watched all the videos ten times. The irj sounds more raw but also thinner. Im not sure it would excel at metal and thrash like im getting with the irx. The irx is thick, solid, and percussive. Im going to keep working boosts and eq to see what it does. I like the midi tube pedal on a board format so i will end up with one or the other.Kinda smooth, punchy, fundamental-emphasized tones with just a little bit of hair is kinda the Friedman BE (and therefore IRX) thing as I hear it. It doesn’t really naturally excel at what you seem to be going for. With the right Ir, boost, and EQ settings, I’d expect you could pretty well get there though.
If you want satch, you might get there by hitting the IRX with a DS1. The high end of the ds1 might push it where you want it to go.
For the kind of thing you’re describing, I think 5150 variant or SLO before a BE though. I think you can probably coax it out of a BE, but you’d have a more direct time getting it with a different amp/pedal choice.
IR-J leans more the way I think you might want to go. Check out the Michael Nielsen comparison videos he posted a few weeks ago.
D
I thought that was one of the coolest things about the fm9.I like the small always-on tuner on top of the screen, the more I use it the more I use it.
I hear ya....there's just something about the JP2C in the Fractal (for me), that's justDave knows his stuff but I gave up on using Freidman anything in modeler land long ago. Too much Mesa and JVM goodness to waste time with something that is too this or too that.
And the Recitifers and the other Marks and the and the and the and the...I hear ya....there's just something about the JP2C in the Fractal (for me), that's just