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- 1,605
Wow… i didnt realize that. Guess i am old school thinking where the players is responsible for turning stuff on and off
Fractal’s gift of tone.
- Thread starter Eagle
- Start date
![[Nathan]](/data/avatars/m/0/613.jpg?1726885163){kind=avatar}
[Nathan]
Roadie
- Messages
- 505
There was a trend of using a laptop as a hub for everything. A tempo/click for the drummer, midi info to auto switch patches on a modeller, also straight up audio backing tracks like extra synth or extra vocals.
I’ve been to many gigs where things have felt pretty lifeless because of this, but I guess I’ve also been to gigs where they’ve probably automated heaps of stuff and it’s still been good from a fan pov.
Eagle
Rock Star
- Messages
- 4,611
I get the BBE at the time .
Loop switchers even the good ones were huge tone sucks if you used them on the front end. They were ok at line level . Also series fx loops on old rack gear without analog dry through . The BBE made it sound more like they should have. The real answer was better loop switchers and parallel mixers. Then the BBE made you sound like Helix user.
Loop switchers even the good ones were huge tone sucks if you used them on the front end. They were ok at line level . Also series fx loops on old rack gear without analog dry through . The BBE made it sound more like they should have. The real answer was better loop switchers and parallel mixers. Then the BBE made you sound like Helix user.
