Boss GX 10 ..... Floor EFX Unit Anyone ?

The GX-100 is on sale right now for only $100 more than the GX-10. I'm not sure if I can live with fewer footswitches on the GX-10 after some deep diving into it. Too much multi-functionality for my taste. That and the 4 knobs are very close to the footswitches. It's very easy to kick a knob while on the floor. So, I just also ordered the GX-100 and will compare the two. The GX-10 will likely get returned.

The tones I'm getting are very good from what I've done so far. I'm pleasantly surprised there.
 
Pretty weird that so many people even seem to like the sound of this thing while the GT-1k gets quite some mocking - when the sound is pretty much identical (with the GT just offering more).
Anyhow, my GT-1k just arrived and I'll be back home tonight as well, so tomorrow I'll give it a decent beating.
 
The GX-100 is on sale right now for only $100 more than the GX-10. I'm not sure if I can live with fewer footswitches on the GX-10 after some deep diving into it. Too much multi-functionality for my taste. That and the 4 knobs are very close to the footswitches. It's very easy to kick a knob while on the floor. So, I just also ordered the GX-100 and will compare the two. The GX-10 will likely get returned.

The tones I'm getting are very good from what I've done so far. I'm pleasantly surprised there.
I can totally appreciate that line of reasoning.....

I just wanted a decent sounding backup to my FM9 for some sort of wife-approved price. So the GX-10 is perfect for me. I'll probably go the other direction from you and figure out some sort of external controllers for it; I just like having it on my desk right in front of me.

Btw, as for kicking the knobs on the floor, Boss does have the various locks shown below; haven't used them so I don't know how practical they are.

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Pretty weird that so many people even seem to like the sound of this thing while the GT-1k gets quite some mocking - when the sound is pretty much identical (with the GT just offering more).
Anyhow, my GT-1k just arrived and I'll be back home tonight as well, so tomorrow I'll give it a decent beating.
I’ve never tried the GT-1k. I’ve heard someone play one and liked it. $500, there in about, was my max budget. The GX series works there.
 
I can totally appreciate that line of reasoning.....

I just wanted a decent sounding backup to my FM9 for some sort of wife-approved price. So the GX-10 is perfect for me. I'll probably go the other direction from you and figure out some sort of external controllers for it; I just like having it on my desk right in front of me.

Btw, as for kicking the knobs on the floor, Boss does have the various locks shown below; haven't used them so I don't know how practical they are.

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I wanted a decent live rig so I wouldn’t need to take my FM9 out of my studio. I like the smaller GX-10 size, but I know compromises will get under my skin in due time. I like one function per footswitch as much as possible.

I more worried about breaking the knobs by stepping on them than anything else.
 
Fwiw, just unboxed my GT-1K. Still amazing - I had a borrowed one for 2 days of a testride shortly after it's been released, I've seen it multiple times in persona, and as said, the form factor is still amazing. Absolutely goldilocks already.
Screen defenitely takes some kinda time to digest/accept these days, but that's about it.
Too tired to fool around with it now, but I'm actually sort of excited (even if I already know what to expect and what not).
 
There's just something about the way it works and having everything right in front of you.

It's intimate. Can't think of a better word. Throw in how responsive it is, and it the whole experience just feels focused. It's not even so much the touchscreen, although that's obviously a plus. Maybe the amps could be better, but I'm not finding anything that's holding me back.
 
To be honest, speaking of the GX-100, I could care less about the touch screen. The power of the unit is in the flexibility and the sound. Is it perfect….what is? But it is a great unit when used within its capabilities.
 
Will likely even open an own thread once I'm a bit more accustomed to the GT, findings so far (I'm sure they also apply to the GX in a pretty similar or even identical way, so it's not entirely OT):

Yes, onboard editing is dated, some things could as well be done way better within those restrictions. Heck, with 5 encoders per each block, *the* single most useful first page for an amp would be gain, volume, BMT, period. But it's model select, gain, sag, resonance and level. Wtf? Did they steal that illogical parameter order from HX land? Fortunately it's just the amps, all other blocks seem to have better sorted parameter lists, but still...

IR management and loading options are an abomination. Couldn't think of any worse way to deal with that. Don't even know whether IRs sound the same once converted through their utterly shitty tool. And why isn't there even a single hi/lo cut (or ideally lo/hi shelve) in the entire cab section? The included cabs would massively profit from that, too. Gotta waste an EQ as is - and while there's enough EQs, it's another block to select and jump between. Doesn't get more meh, really.
Fortunately, the internal cabs sound pretty good - but why in the world is there no way to find out which are the "original" cabs others than looking into some PDFs? Also, when exactly are the cabs switched when you select "original"? That's as intransparent as it gets. I mean, when you have 2 different amp models in that divder dual loop arrangement, when exactly is the cab switching? When changing Amp 1 or Amp 2? Maybe not exactly an issue because I will likely select cabs myself, but what a lousy UI affair, really.

As has been mentioned, block model selection is an utter mess. I want a list to open and want to be able to quickly see my options at a glance.

Can't believe their controller assignments are still as they were 20 years back. That's an offense to human intelligence no less. Their flexibility can hardly be beaten, though, and the CurNum switching option is just fantastic, that's really allowing you to get much more out of things, once you're used to it.

Soundwise, some amps sound just plain bad. That Juggernaut thing has to be among the least dynamic amps to ever live in the Boss universe.
Other amps are absolutely great. I could possibly live with just the Natural and X-Crunch amps until the end of all times, especially given that Boss' pre-gain-selection adds quite some flexibility.
Fwiw: Did anyone notice they seemed to have changed the amp's boost tone? It's a pretty high-midrange-y affair (true for all amps) where it was a lot more (but not entirely) neutral on the GT-10 - I vastly preferred that, even if I like some mid-bump for solos. But with the GT's boost, it sometimes even starts to sound telephone-ish.

The drives are the same, quite some mixed quality. But the Natural OD is something to save me everytime I need a grab-n-go thing. Great on its own but also doing very well in front of a driven amp. I absolutely love that Boss doesn't try to stick with the originals so each drive has a bass/bottom control, which is just super useful. I sooo often wish for that within the HX universe.

FX-wise, I just like Boss stuff. Always did. Yeah, nothing spectacular, but pretty much everything extremely useable and solid. Easy to dial in, too.

Time to get into more details and create a live bank (first job for the thing will be in 2 weeks, unfortunately I'm not allowed to bring it to the cover thing tour I'm currently playing, to replace the GT-10 they're providing there), so that's plenty of time to get used to things.
 
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Fuck me - I completely fail to get the Stompbox feature of the GT to work. I know, this is totally OT in this very thread, but in case someone knows how to make this work, I'd be more than happy for a quick instruction. One of the main reasons I bought the unit over the GX-100.
 
Ok, got it to work on the unit. Seems to be a function not going well with the editor - which absolutely sucks, but fortunately it's no dealbreaker as my stompbox-assigned blocks will likely stay the same for years once things are past the initial setup.
 
Man, Boss deserves some pretty tight kicks in their butts.
There's a per-patch function allowing you to have one more of the sort of freely assignable FX blocks. The manual says this about it:
If this is ON, the number of FX blocks increases by one, allowing you to use FX4. The output of the GT-1000 is set to mono.

That's just not true. It's only the sub out which is set to mono (are they really scratching the CPU limits that hard?), the main out (and also the phones out) are still working in stereo. This really drove me mad as I instantly switched the "FX Expansion" on when I found it. Everything seemed to be working absolutely normal (I was using the phones out), then I hooked up the XLR outs and things got collapsed to mono. Took me over an hour to find out what the problem was - and while it is mentioned in the manual, it's just not the truth.

Really, intuitive operation is something entirely different already - and then they're coming up with these kinda traps (let alone it seems to be completely idiotic).
 
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