Why is spring reverb so hard to model?

. I didn't rate the Strymon or Eventide springs either
How Dare You Wtf GIF by Sky
 
Because we live in the era of modulated, cavernous reverbs with 15 second decay times and zero BOING!??! :idk

Seems like a lot more energy has been put into creating a lot of really extended and artificial reverberation
that has no real world, mechanical component like an actual "spring" in an actual "tank" in an actual "cabinet."

Old tech maybe gets neglected and sent to the nursing home to waste away. :(
 
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Quote Cliff all you want. Put the Fractal spring reverb set with modest mix in front of the Princeton reverb model with volume on zero, then slowly wind up the amp block’a volume. The reverb changes a whole lot less compared to a real life Princeton Reverb with its reverb knob on 2 as you go from late night TV volume to watching a movie with the fam TV volume level.

I am willing to bet that cab resonance increasing with amp volume is certainly a factor, since most people associate
stellar spring reverb with combo amps. :idk
 
I am willing to bet that cab resonance increasing with amp volume is certainly a factor, since most people associate
stellar spring reverb with combo amps. :idk
This.
I played combo amps with spring reverbs for decades and didn’t think about it. Reverb was just reverb. When I went to modeling the reverb didn’t sound right and I found that plate reverbs on modelers were my thing. Even the new Helix spring wasn’t doing it for me. Then I went back to a combo with a spring reverb and found that it did sound better than the modelers, but also realized that spring reverb generally isn’t my thing. I just didn’t know better before going digital.
 
This.
I played combo amps with spring reverbs for decades and didn’t think about it. Reverb was just reverb. When I went to modeling the reverb didn’t sound right and I found that plate reverbs on modelers were my thing. Even the new Helix spring wasn’t doing it for me. Then I went back to a combo with a spring reverb and found that it did sound better than the modelers, but also realized that spring reverb generally isn’t my thing. I just didn’t know better before going digital.

We are both unwittingly ignorant and our dreams were just crushed on the Internet. :LOL:
 
I'll be the first one to say that I don't even care for real spring reverb. Those noisy, fragile pieces of shit tanks are something I'd rather rip out of any head and replace it with a digital plate reverb module. :stirthepot Plus that "reverb level only" control in every damn amp is just too limited. Usually the spring is just too splashy or too subtle but never quite right.

Now that I've got you riled up, I tried the only spring reverb I have, the Volante spring vs the Fractal ones. With the delay completely off the Volante can be just used as a reverb pedal. The Volante was dead easy to get sounding nice.

Fractal tends to default to a bright sound on all the springs. The medium/large spring were more similar to the Volante's spring sound, but could use some extra high cut from the EQ page.

These were all "post amp" and I tried it with my Jazzmaster -> Compadre -> Iridium Fender model set clean-ish -> Volante -> Axe-Fx 3.
 
While resonance may not change with volume, I presume vibration amplitude does. Is there any chance that cabinet vibration is contributing to sound of a spring reverb to a discernible degree?

Yup. I probably didn't word it to Jay's exacting standards. :wat

I find it impossible to comprehend (likely because I am not smart nor experienced enough) that ramping
up a combo amp to an increasing volume is not going to also get that cab shaking and resonating more intensely,
which will then have an impact on that little springy thing in the little tanky thing that is screwed into and resting
on that boxy, little wooden thing.


:LOL:
 
Yup. I probably didn't word it to Jay's exacting standards. :wat

I find it impossible to comprehend (likely because I am not smart nor experienced enough) that ramping
up a combo amp to an increasing volume is not going to also get that cab shaking and resonating more intensely,
which will then have an impact on that little springy thing in the little tanky thing that is screwed into and resting
on that boxy, little wooden thing.


:LOL:

Engineers (and many scientists) are generally reductionists in the way they view things…

We understand the quanta… But somehow missed G*d lol
 
This.
I played combo amps with spring reverbs for decades and didn’t think about it. Reverb was just reverb. When I went to modeling the reverb didn’t sound right and I found that plate reverbs on modelers were my thing. Even the new Helix spring wasn’t doing it for me. Then I went back to a combo with a spring reverb and found that it did sound better than the modelers, but also realized that spring reverb generally isn’t my thing. I just didn’t know better before going digital.

I'll be the first one to say that I don't even care for real spring reverb. Those noisy, fragile pieces of shit tanks are something I'd rather rip out of any head and replace it with a digital plate reverb module. :stirthepot Plus that "reverb level only" control in every damn amp is just too limited. Usually the spring is just too splashy or too subtle but never quite right.

Now that I've got you riled up, I tried the only spring reverb I have, the Volante spring vs the Fractal ones. With the delay completely off the Volante can be just used as a reverb pedal. The Volante was dead easy to get sounding nice.

Fractal tends to default to a bright sound on all the springs. The medium/large spring were more similar to the Volante's spring sound, but could use some extra high cut from the EQ page.

These were all "post amp" and I tried it with my Jazzmaster -> Compadre -> Iridium Fender model set clean-ish -> Volante -> Axe-Fx 3.

We all have different needs for our gear.

Glad you don’t care about spring reverb, but for some of us suggesting plate as a replacement for spring is like suggesting a big muff as a replacement for a TubeScreamer. They’re totally different colors/textures for totally different purposes.
 
We all have different needs for our gear.

Glad you don’t care about spring reverb, but for some of us suggesting plate as a replacement for spring is like suggesting a big muff as a replacement for a TubeScreamer. They’re totally different colors/textures for totally different purposes.
I didn't suggest anything for anyone, just saying what I'd like to do. I'm happy if I never buy another amp with a real spring reverb tank.
 
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