I should be clear that I've kept my TMP for well over a year at this point. It is a good device, one I use for about a third to a half of my practice time. I like it, and I am not surprised that it has found a niche. I am just personally frustrated that they have a slow update cadence and so much to catch up on. It's hard to imagine them ever getting out of catch up mode long enough to distinguish themselves on anything other than the skeuomorphic interface that is nice in some ways, but not (to me at least) especially compelling for anything but the most simple signal chains once you get over the shiny newness. It's hard to imagine the amp selection will be distinctive in a good way when they lean so vocally on the notion that modeling a single channel of an amp (not counting any on board effects, which are critical to include, IMO, to maximize the value of the interface) takes three months, as though that provides artisanal cred or something. All I hear is "it'll take nine months to have both inputs of both channels of the DR available, or a whole year to cover all four input/channel combinations on a Vibrolux Reverb, if we ever offer that," and it's a bummer to me - specifically because they're Fender.
