What are we watching now?

Alan Arkin going "Argo F yourself" is one of the best lines ever :grin

Snoop Dogg GIF by BMF
 
Yeah, I forgot to mention Rush! I barely remember that movie, and it's from 1991, so I really need to see it again, since it's not too long after The Lost Boys, and I only remember Rush being really really good.

I only saw The Grey once, and I just remember it kind of beating you down as it goes along. It was crazy. I don't remember much specifically except a couple of the characters' fates.
I think I might like it more than I did when I saw it in the theater. It was just a LOT more drama than I wanted. Isn't Frank Grillo in it as well? I don't watch stuff with him in it for drama :LOL:
 
I really like the Town. Will have to watch Argo, I've always skipped over it because I thought it might be boring

Not boring at all. It's such a crazy story, and the fact that it actually happened. Because it's Affleck telling the story, he makes it awesome from beginning to end. I don't give a fuck about Air from 2023, but the only other one by him that I'm less that in awe of is Live By Night from from 2016; that one was still good, but not at the godly status of the three I listed.
 
I think I might like it more than I did when I saw it in the theater. It was just a LOT more drama than I wanted. Isn't Frank Grillo in it as well? I don't watch stuff with him in it for drama :LOL:

haha I had to look up how that is. I don't know his work at all, even though he's been in a million things.
 
Oh, and the big elephant in the room when you watch The Town I forgot to mention somehow: it is 100% an homage to Heat, in the very best possible way. But it has elements that are better than Heat, namely Jeremy Renner. To me Michael Mann's downfall is that he doesn't hire people for their character and personality, and he doesn't know how to bring that out of people; the actors have to bring that on their own. Luckily Mann worked with Al Pacino, who has more character and personality than 100 other actors combined. But Affleck can take anyone and make sure they come out with character and personality, and it's awesome. That's fucking talent.
 
Even Blake Lively, now that I think of it. In The Town she's full of feel, and you can just sense her whole life from the few scenes she's in. I haven't watched anything else with her I remember, but I do know she's nothing like the character she played here, and she's fucking great. Even the minor characters here move the story in the best possible way, where everyone seems to be cast for their inherent general vibe, if you will. Some characters don't even have to say anything to put across exactly what you need. He really made use of this in Gone Baby Gone, I mean, really made use of this. He does that thing through his casting to that I love about the best of movies, where they feel like reading a well written novel, and he does it by adding interesting elements where other directors don't. Little shots of something that just tells its own story, that means nothing to what's going on, but tells you everything about the world he's portraying. He does that with extras too, focusing on someone just talking in the street, and that person just gives off a feel that makes the whole thing feel real.
 
"Smug" is exactly the right word for it, and everything follows as a result. "I'm a 'star', and while I ought to be concerned that there's no discernable reason for that, I'm too hip to (outwardly) care. So I'll arrive at work high as a kite and waste all of America's time by staring off into space. If I really want to "put some work in", maybe I'll strum an acoustic guitar and sing a song about my cat or some shit, like I'm trying to put a toddler to bed."

In all fairness, the audience can't seem to get enough of it.
Counterpoint:

Or maybe not "counterpoint" exactly. But SNL does have that way of being inherently quotable, not unlike so many objectively bad films. If for no other reason than we can assume nearly everyone will get the reference.
 
Counterpoint:

Or maybe not "counterpoint" exactly. But SNL does have that way of being inherently quotable, not unlike so many objectively bad films. If for no other reason than we can assume nearly everyone will get the reference.
The good SNL stuff is good naturally. Like a lot of comedy things. It's not forcing you to think it's funny. The bad; not so much. And that's all eras of the show, not just my oh so precious "when I was 15 years old" sweet spot :LOL:
 
We just watched Dead Poets Society. I've loved it since it came out. To me this is a film that everyone should see, like a guidebook to life. I put a few films in this category, like Equus.

A lot of times it's easy for me just to be despondent about the world, to forget that there can be people who understand what we're all doing anything for. That's the purpose of art to me, to remind you of why you do everything else.
 
I enjoyed Blink Twice, and given the subject matter appreciated that they didn’t go super gratuitous and extended with those scenes like many films do
Watched this last night. Agree completely on this sentiment. It was really good. It was Get Out centered on females combined with a vague 'Midsommar-minus-the-folklore' vibe? Very good and the wrap up was perfect. No "Social media let's go to a rave!" BS either :LOL:
 
I watched Sicario 1 and 2 this weekend. Seen them before, but rewatched because i wanted that Villeneuve.... thing... he did there, and that was carried over to the second film (by others).

i think the Benicio scene is the one to mention here


But it does require one to "take it in" as if it where a book. Its just not a casual chill action flick. It sucks as such....
Its the atmosphere, soundtrack (that constant monotonous bass thing), the moral (or lack of), dilemmas, feelings, and all that.

And while speaking of, long ago i read the book "The power of the dog" by Don Winslow. The Sicario movies was (i think) inspired by that book, and they kind of capture that whole dark depressive mood although the book is vastly more cruel and brutal. Worth reading. One the best books ive read.



It also reminds me very much about the later Villeneuve "stuff" like Dune, again... the sound and cinemtic sweep and sound there.
 
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