dronerstone
Shredder
- Messages
- 1,388
Per usual, the smaller/less popular company pays the bigger fish.I’m wondering how much I have to pay to use the Headrush Prime as my billboard the way Anteres did?
Per usual, the smaller/less popular company pays the bigger fish.I’m wondering how much I have to pay to use the Headrush Prime as my billboard the way Anteres did?
Then I wonder how much Headrush will pay me to advertise my Vox Tonelab on their runway.Per usual, the smaller/less popular company pays the bigger fish.
Then I wonder how much Headrush will pay me to advertise my Vox Tonelab on their runway.
Reliability is king with these kind of products that are ment for the stage, if the quality isnt there then its a no go for me at least not that these big Headrush pedals really was in my focus for something i would buy. I have often gone with Boss products and even though i have used Boss since the 80´s i have never ever had any Boss product break down even if they were decades old and that speaks volumes.Tbh, possible hardware/build issues and careless customer support scare me off much more easily than the size or lack of constant firmware updates.
When it comes to digital/programmable devices, Mooer have lost me after my Preamp Live went brick. That's how you ruin business.
Size? Come on, if you're considering something like the Helix floor or Headrush Prime, don't act like you don't know what you're in for. These are meant to (ideally) replace a complete board. But geeks gotta geek, hence we assemble another pedalboard to go with that, and run it in the loop.
I'm really interested to know how this compares to the last gen HR stuff? I tried an MX5 as a backup device to my FMx's and liked a lot of things about it. But the tones simply felt flat/stiff/dead to me and the noise floor was much higher, so I ended up returning it.No kidding!
It looks like a lot of fun. It’s fun seeing realistic looking pedal images, etc. I don’t know why. I had a lot of fun with the Digitech IPB-10 (R.I.P.) back in the day for similar reason. (anyone remember MediaMan and his repository of tips/tricks/etc.???) Anyway - talk about a chunky form factor. But it was fun dragging/dropping pedals, tweaking the effects, etc.
I’m periodically tempted by the HR line for that reason, but I know I’ll be disappointed with the tones and other things, so have been able to resist.
I feel the same way. I'm sorry but I just don't trust anything made by HR.Reliability is king with these kind of products that are ment for the stage, if the quality isnt there then its a no go for me at least not that these big Headrush pedals really was in my focus for something i would buy. I have often gone with Boss products and even though i have used Boss since the 80´s i have never ever had any Boss product break down even if they were decades old and that speaks volumes.
Is the latency issue real? Verified by several people?I'm really interested to know how this compares to the last gen HR stuff? I tried an MX5 as a backup device to my FMx's and liked a lot of things about it. But the tones simply felt flat/stiff/dead to me and the noise floor was much higher, so I ended up returning it.
Based on HR not really hyping major improvements in tone, feel, etc. I'm assuming it's the same as last generation? But it would be interesting to hear if users of both notice any improvements?
Unfortunately, the latency issue really dampings my interest no matter the response.
If you're talking about Amp/Pedal Clones being subject to additional latency, yes... it is a real issue.Is the latency issue real? Verified by several people?
There is a Rig configuration where the vocal and guitar inputs are separate... and the processing paths are separate.
What's not possible is routing the vocal and guitar to separate outputs (at least not via analog outputs).
Not sure when recording via USB. It may be possible to record vocal and guitar outputs separately.
Thanks. Would love to see some examples or latency tests done at some point.If you're talking about Amp/Pedal Clones being subject to additional latency, yes... it is a real issue.
If you run a pair of Clones in series, it's annoying to the point of (for me) being unusable.
This depends a whole lot on how said pedal board is arranged and what's on it. More noisy I can agree on, but I don't think it's a big enough problem for most people.I love watching people say this thing is big, while they have pedalboards with a zillion pedals on them that is WAY less functional, but way bigger at the same time, not to mention frighteningly noisier
Yeah, tonex not having spdif seems like a GIANT miss
It seems pretty pointless since it already works as a USB interface and you would likely also use the Tonex plugin for the actual recording. The pedal mostly creates a possibility to play the captures stand alone like on stage or rehearsal.Yeah, tonex not having spdif seems like a GIANT miss
Same goes for the (surprisingly common) complaints about the lack of an FX loop. I'm not sure what people would even expect to loop between to begin with.
Seriously???
All the stuff you run after a preamp, but before a cab sim and headphones, that's what.
How long has Helix Floor been out?
Actually, this I would truly like to see myself. You know something may not be dead nuts on perfect, but still sound fantastic. Sometimes for me, amps with their warts and all just are not... What I want.How long until a video ToneX vs Prime ? (No need to answer...)
Hullo. I'm the BFD Product Owner. When I'm not actin' the fool on here, I'm working my sweet-ones off to get new versions of BFD out the door.They bought ReValver and BFD years ago