They have a patent out for a robot that turns dials so that they can model amps faster.Watched without audio and thought I must have missed something… first they show a robot for turning knobs on an amp to somehow model it faster, and then they show it hooked up to virtual amps?
Watched again with audio… nope, I didn’t miss anything.
I’m confused
IIRC the way they did the Nameless and NTS was component-based (ish). They probed into the amp and did some component modelling; probably why the resource usage of those was high etc. Looks like they waited until TINA was up and running and used it to X the older plugins.Ugh, this almost looks like an Elon Musk robot announcement.
“We’re extremely proud to be one of the first companies to make native compatibility between guitar hardware and software a reality with CorOS 3.0.0,” concludes Dan Davies, Chief Marketing Officer at Neural DSP Technologies. “By utilizing TINA, our secret weapon, users experience an unparalleled level of sound authenticity throughout our product range. This development makes our software more capable than ever before, and we look forward to continuing to build on this framework.”
I don't understand why they weren't unable to port existing plugin code to the QC without a robot getting involved but, hey, DSPs are hard.
IIRC the way they did the Nameless and NTS was component-based (ish). They probed into the amp and did some component modelling; probably why the performance of was high etc. Looks like they waited until TINA was up and running and used it to X the older plugins.
They have a patent out for a robot that turns dials so that they can model amps faster.
I suspect since some of their older plugins were done differently, they must have leveraged TINA to twist dials (with something like the Behringer X Touch) in their older ampsims (Fortin Nameless, NTS maybe etc) to get the X versions out.
if you are talking about John, ya he uses way too much , I don't generally care for his tone although his 2203 tone is good , but Rabea to me sounds much much better , maybe it the guitar ?The cripsness of the sound in that demo sounded good. The chorus and phaser sounded godawful.
This sounds like a bunch of marketing speak to me
It is. Hats off thou, NDSP are really good at this game.
I never though about that use with expression pedals to blend signals like a clean and dirty amp but that true I guess you couldAs I understood it…it can mix in whatever point in your signal flow you select. I assume any point in the signal flow that’s before the spot you insert the blend…and hopefully other signal paths as well. I can imagine using it to morph from one amp to another…or to morph from different efx with an expression pedal.
I've had it confirmed the robot is real.