How are you powering up the cabs?
SD170. I've had this setup for a long time and I know it well - it works great for me.
How are you powering up the cabs?
The first thing I would try is add a cab block and bypass it - you should be able to control which SIC the amp issuing this way IIUC - I would start by choosing a cab that’s close to yours if there is one.SD170. I've had this setup for a long time and I know it well - it works great for me.
My experience with the SD with a Helix and real cab was that I had to work hard to tame highs
The first thing I would try is add a cab block and bypass it - you should be able to control which SIC the amp issuing this way IIUC - I would start by choosing a cab that’s close to yours if there is one.
Have you tried adding some hype ?
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VP4 in FX loop 1+2, after the Hiwatt and a custom IR. There are no reverbs in the Helix that do this.
I realize I'm asking for all the smoke, but I wanted to see what it would sound like on Helix (My Stadium arrives Tuesday, so I'll do more stuff then) with minimal effort or blocks, so this is what I think is a good showing of Helix ambient capabilities:
I tried to match the tonality of your clip so I had to use the Poly Capo (to tune down three steps) > WhoWatt 100 model > Dynamic Plate > Cab. That's it. Almost all defaults except I raised the Damping and High Cut on Dynamic Plate to open it up and be more "heavenly".
To me...this IS Helix doing that.
This problem does not reveal itself playing through headphones but it very clearly noticeable playing through a guitar cab. To put it simply - WHERE'S ALL THE HIGH END??
Don't know what the issue is, but the second one sounds much better to me.Ok, went back and played.
This problem does not reveal itself playing through headphones but it very clearly noticeable playing through a guitar cab. To put it simply - WHERE'S ALL THE HIGH END??
All those high end frequencies that give a Marshall it's core character are neutered. It's just all smothered out. Why is this the case?
The Helix Plexi sounds way better, to me, simply by virtue of the fact that critical high-end frequencies are present and accounted for - this in large part is what gives modeling its authenticity. Need to investigate more.
I'm still learning how to record etc. but I did this using my phone camera. It's basically my in-room sound of the Helix through 2 guitar cabs. Unfortunately, google photos compression is massive, and a lot of the tone is neutered from what I'm hearing in the room - but you can still get a sense.
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The first part is Agoura Brit Plexi Jumped and the 2nd amp is Helix Brit Plexi Jumped. Amp is fully cranked - not how I typically play but that's what I happened to dial up. There's just a tiny amount of reverb - nothing else in signal chain. Hopefully you can hear what I'm hearing.
Ok, went back and played.
This problem does not reveal itself playing through headphones but it very clearly noticeable playing through a guitar cab. To put it simply - WHERE'S ALL THE HIGH END??
All those high end frequencies that give a Marshall it's core character are neutered. It's just all smothered out. Why is this the case?
The Helix Plexi sounds way better, to me, simply by virtue of the fact that critical high-end frequencies are present and accounted for - this in large part is what gives modeling its authenticity. Need to investigate more.
I'm still learning how to record etc. but I did this using my phone camera. It's basically my in-room sound of the Helix through 2 guitar cabs. Unfortunately, google photos compression is massive, and a lot of the tone is neutered from what I'm hearing in the room - but you can still get a sense.
Dropbox
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The first part is Agoura Brit Plexi Jumped and the 2nd amp is Helix Brit Plexi Jumped. Amp is fully cranked - not how I typically play but that's what I happened to dial up. There's just a tiny amount of reverb - nothing else in signal chain. Hopefully you can hear what I'm hearing.
I was going to suggest the Heliosphere too - especially when it is going into a dynamic reverb.Have you tried the Heliosphere with the Rev Mix turned to 95-100%? It’s one the lushest sounds you’ll get from the Helix.
Man, you really didn't try the unit at all if you just skipped some of the bigger new features!I'll try that!
I haven't tried hype or focus view etc.
Steve Sterlacci did quite a good video about the comparison between the Agoura and HX models, and specifically calls out the high-end on the HX models.This problem does not reveal itself playing through headphones but it very clearly noticeable playing through a guitar cab. To put it simply - WHERE'S ALL THE HIGH END??
To put it simply - WHERE'S ALL THE HIGH END??
Steve Sterlacci did quite a good video about the comparison between the Agoura and HX models, and specifically calls out the high-end on the HX models.
The way he puts it is that this is the sort of stuff you'd be looking to dial-out in the HX models.
What is interesting though is if you are hearing what you are missing in headphones, it is obviously present and therefore being generated by the model.
Absolutely, in fact @Digital Igloo , would you consider a “Helioverb”, where we can have the Heliosphere reverb with normal pre-delay and without the actual delay? And then we can save on the DSP monster that the Heliosphere is?I was going to suggest the Heliosphere too - especially when it is going into a dynamic reverb.
I wouldn't take his word for that. Plenty of people like and want that high-end.The way he puts it is that this is the sort of stuff you'd be looking to dial-out in the HX models.
Or the headphones are hyping that high end and/or downplaying other frequencies that are contributing more.What is interesting though is if you are hearing what you are missing in headphones, it is obviously present and therefore being generated by the model.
This. You set the high end you want with the amp controls and IR, it's just preference and context dependent. If they're both equally bright but one has more hashy/unmusical noise or unpleasant resonances, then I think it's probably a positive overall. But it really depends on what it's supposed to sound like. In Sterlacci's video he's just grimacing for some reason at OG Helix because it's more bright. If he dialled the tone in first on OG helix, and then matched the Stadium settings to that, his reaction would probably be different.I wouldn't take his word for that. Plenty of people like and want that high-end.