Yea, sure.And perhaps for you, you're just happy to play through any old aliasing waveshaper algorithm (although the word algorithm is doing a lot of heavy lifting there!) - perhaps for myself and others accuracy is the best target for this stuff, because the gold standard for guitar tones is still a valve amp into a real cab.
Before Kemper, I owned a VHT Ultralead and a Fender Blackface. So, yea, I am happy with just about any ole crap tone you throw at me.

Don't be silly. Kemper has great sound. If you couldn't get it to sound good, that's your issue, not Kemper.I'd stop you right there at "good tube tone" because that is arguable. Real feel is also very arguable. I'll grant you the solidity of the performance. I don't care about null tests, I can hear how bad Kemper sounds compared to the amp it has captured, without even having to do them.
Personally, the Kemper sounds like Amplitube 2 to me. Welcome to 2006.
There is nothing "unethical" about Kemper removing someone from THEIR own forum or THEIR own beta program. It is stupid from a business standpoint, but not unethical. It also doesn't effect the quality of their product. I get that you are butt hurt over what they did to you, but seriously. It has made you totally biased in your opinions.Well, judging by this thread, for anyone who cares about supporting ethical companies, Kemper is also the wrong product. There's actually a lot of reasons to swerve the Kemper stuff, and not just from an accuracy perspective.
Yes it does. Your ears don't work if you can't hear the difference between QC and Kemper or Fractal. Same for delays. And yes, they don't cover the breadth of verbs and delays either .... again, making the QC unsuitable for many live gigs.The QC doesn't lack quality reverbs. I just sold mine, but the reverbs on it were very usable. There just aren't enough of them. Likewise for delays.
I didn't say Axe III Fx had "lesser capabilities overall" (having a little reading comprehension issue are we?). I said Kemper was a better gig rig, and it is.You've stumped me there. I don't understand how you could say an Axe FX III has lesser capabilities overall, because it simply doesn't. You could run a 4 piece band through a single Axe FX III, with each member getting their own amp and selection of effects.
To my mind, Kemper has had their day. They really need to innovate and come out with a worthy successor, or they're toast.
Fractal is a modeler, not a capture/profiler. As a result, every new firmware update has the ability to change the tone of patches previously used. For me, and many like me, this is a non-starter. Those of us that gig frequently have spent a good amount of time and effort getting our gig rig tones down for different songs. No way am I going to live with an update process that changes everything. So you are left with EITHER no updates, OR checking all your patches every update and modifying them to get them back on track before you gig again. Dumb.
Having said this, Fractal is a very capable device. It's just not as gig friendly as Kemper. Additionally, Fractal is a PITA to achieve a specific tone you want in the first place. Yes, it has (hands down) the best GUI and most flexible editing capabilities of any device (no other device is even close IMO), but it is simply MUCH easier to get there using a Kemper IME.
Additionally, Axe III Fx and the FC-12 is a VERY expensive setup. More than twice the price of a Kemper Stage which is a better gig offering.
I just think there is too much fanboi crap going on. Kemper isn't the best at everything. Fractal isn't either. Each of them is best at some things though. QC is best for capture in a road worthy device, but lacks much of the other things Kemper and Fractal do very well. ToneX and NAM shouldn't ever be mentioned in a live sound setting in comparison to the above 3 (or Line 6 Helix which is a distant 3rd behind Kemper and Axe III Fx for live) since they are toys in this regard.
If all you care about is capture accuracy, NAM is the best. Hard to argue that. Obviously, it takes more than that to gig with eh?
FWIW, I still see more Kemper's out in the wild on tour with major bands than any other device. I don't think it is outdated just yet.