paisleywookiee
Rock Star
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- 6,392
Yeah. Two blocks.Well, he's only using it for FX. Quite a difference.
Yeah. Two blocks.Well, he's only using it for FX. Quite a difference.
Yeah, “everything changes” is hyperbole at this point, and screams “I’ve never used a Fractal, or not for at least a decade”.You can completely choose if, and when you want to engage with Fractal firmware updates.
I think "everything changes" is stretching it too far, most of the modeling updates are pretty subtle. You could keep your existing settings and it would sound fine. At most there are a couple of major updates per generation of hardware that might require readjusting stuff.
Yeah. Two blocks.
Yup. Just like they are on the real amps.Well, if you look at it that way, sure. But amp settings are something way more delicate to deal with.
Yup. Just like they are on the real amps.
They’re not hidden on the Fractal either. Stay on the Basic screen.Real amp parameters aren't hidden in any menus.
I still like the Kemper a LOT for vintage M style and Vox tones. High gain metal tones are pretty samey and not usually representative of the real amp.
Isn't that applicable to all Digi boxes..."now realer".I think back to the days of people doing blind tests between the real amps and a Kemper, and how something always jumped out at me as a "difference" even if I couldn't explicitly say one was the amp and one was the Kemper... and then I remember how butt-hurt everyone who owned a Kemper would get about it whenever you said this online... and then I remember how everyone said it was super accurate... then Kemper did an update to fix the low end... then all of a sudden the previous version wasn't super accurate but now the new version was... and then I remember how gradually over time as other products came out that were more accurate and nicer to play, the goalpost moved to being 'accuracy isn't that important - as long as it sounds good' .....
.... it is truly hilarious when you look at the timeline of capturing/profiling. The amount of copium being smoked is really wild.
Yeah.Isn't that applicable to all Digi boxes..."now realer".
It used to drove me just as nuts with the Axe-Fx crowd, when it was exactly Iike the amp, and then after a FW update even more so.
It's the laundry detergent commercial...it now washes even whiter.
He ain’t wrong.Isn't that applicable to all Digi boxes..."now realer".
It used to drove me just as nuts with the Axe-Fx crowd, when it was exactly Iike the amp, and then after a FW update even more so.
It's the laundry detergent commercial...it now washes even whiter.
True, but in that framework, I either choose to get new features and update, or have to check to make sure my patches all stayed the same. I argue that this isn't a great choice for a gigging or touring musician.You can completely choose if, and when you want to engage with Fractal firmware updates.
I think "everything changes" is stretching it too far, most of the modeling updates are pretty subtle. You could keep your existing settings and it would sound fine. At most there are a couple of major updates per generation of hardware that might require readjusting stuff.
So that leaves us at solid state amps with pedals then. Because that’s the only rig I can think of that changes the least.I agree, "everything changes" is not true. The fact that ANYTHING could change is enough of a deterrent for many.
No. Kemper works great for live gigs because it doesn't change with firmware updates (among other things).So that leaves us at solid state amps with pedals then. Because that’s the only rig I can think of that changes the least.
I pretty much only gig 100watt valve heads and 4x12's these days. I'm not interested in using digital modelling for gigs; well... maybe like a 5% interest, but not enough to risk it.
That’s kinda my biggest beef with it. It has obvious room for improvement but they refuse to do anything about it. Also, it still isn’t up to what I’d consider more than entry level modeler functionality and effects after all this time. I’d love if major changes were made to it.Kemper works great for live gigs because it doesn't change with firmware updates
Not surprising. Certainly you are not alone. I gigged that way from 1983 to 2013.I pretty much only gig 100watt valve heads and 4x12's these days. I'm not interested in using digital modelling for gigs; well... maybe like a 5% interest, but not enough to risk it.
It's definitely not an entry level modeler. Plenty of touring acts and nightly gigging acts using Kemper. I suspect it is the most used digital amp in the pro level touring market.That’s kinda my biggest beef with it. It has obvious room for improvement but they refuse to do anything about it. Also, it still isn’t up to what I’d consider more than entry level modeler functionality and effects after all this time. I’d love if major changes were made to it.
The reverbs and delays are top notch, even compared with way more expensive solutions like Eventide (I have compared them). What about Kemper is "entry level"?
The KPP is FAR from being entry-level ANYTHING. Even Level 1. The work-flow, flexibility and sound quality are absolutely incredible. I'm coming from the BOSS GT-1000, Fractal, Quad Cortex and ToneMaster Pro. The Player is just as gig-worthy as anything on that list. I've been using it daily for acoustic, electric and bass rehearsals, gigs and recording (with nothing else except an expression pedal). Don't forget, the operating system running the KPP has been developed over more than what, ten years in its big brothers? It's not like they started from scratch. They just made a smaller device. It's not entry-level. For sure.That’s kinda my biggest beef with it. It has obvious room for improvement but they refuse to do anything about it. Also, it still isn’t up to what I’d consider more than entry level modeler functionality and effects after all this time. I’d love if major changes were made to it.