It don’t matter cause the audience can’t tell the difference..

And people can dunk on doom all they want, but ya know what? Somehow every doom type show I’ve ever attended has sounded not only fucking awesome but actually spectacular even with full stacks and cranked NMV amps. I guess having sound guys that aren’t incompetent whiny bitches does wonders :idk
 
If you're not an idiot; you realize there are marks between 1 and 10 on the master volume control. Use your ears and common sense for fuck's sake. Not every guitar player thinks they're in some sort of Skynrd: Doom Edition.
Personal experience would suggest that a very large contingent do think that Lynyrd Sabbath is what they are after. Apparently all the people with a general understanding of guitar cabinets and volume controls are on this forum.
 
Personal experience would suggest that a very large contingent do think that Lynyrd Sabbath is what they are after. Apparently all the people with a general understanding of guitar cabinets and volume controls are on this forum.


I’m just curious, what is your region ?
 
Personal experience would suggest that a very large contingent do think that Lynyrd Sabbath is what they are after. Apparently all the people with a general understanding of guitar cabinets and volume controls are on this forum.
Opposite experience for me. The only place I hear these crazy hyperboles is on the internet.
Just last weekend I played a bill with 4 other bands, ranging from hard rock to punk to death metal. Everyone had amps, half stacks even. NO ONE gave the soundguy a hard time and vice versa. That's the normal to me, not the craziness being claimed here.
 
And people can dunk on doom all they want, but ya know what? Somehow every doom type show I’ve ever attended has sounded not only fucking awesome but actually spectacular even with full stacks and cranked NMV amps. I guess having sound guys that aren’t incompetent whiny bitches does wonders :idk
I’ve been to great sounding shows with lots of amps, too. Big room, usually more cabs at moderate volumes so there’s a lot of air moving but not necessarily insane volume. And I’ve worked a lot of doom shows in small rooms where the band has no concept of anything other than insanely loud to the point of not even hearing the drums or the PA. Makes sense when you’re Jucifer and the nobody even knows the songs, they just know they’re bringing 700 speakers with them.
 
No one’s trying to defend cranking 100 watt amps to 10 on stage


The insinuations that mixing real amps/not direct as some sort of “problem” or even a “challenge” are completely ludicrous. Full stop.
Again, if the guitars and drums are loud on stage, the vocal mics have no way of making the vocals louder than the music. Guitars and drums run through vocal mics with reverb and/or delay sound like crap out front. FYI, you don't have to be on 10 for it too be TOO LOUD. Insinuating that mixing with high stage volume is a GOOD thing is completely ludicrous. FULL STOP.
If you're not an idiot; you realize there are marks between 1 and 10 on the master volume control. Use your ears and common sense for fuck's sake. Not every guitar player thinks they're in some sort of Skynrd: Doom Edition.
See above. Too loud is too loud. Doesn't matter where the volume knob is.
Except that no one does that. Lots of room between zero and 10. Google "master volume"
That's just BS. "Except that no one does that". You can't possibly be serious. Google "Band stage volume too loud". Let me know if anything is unclear in what you find.
I’ve been to great sounding shows with lots of amps, too. Big room, usually more cabs at moderate volumes so there’s a lot of air moving but not necessarily insane volume. And I’ve worked a lot of doom shows in small rooms where the band has no concept of anything other than insanely loud to the point of not even hearing the drums or the PA. Makes sense when you’re Jucifer and the nobody even knows the songs, they just know they’re bringing 700 speakers with them.
Definitely this.

The larger the stage (and room), the less chance of the stage volume being forced back into the vocal mics.

If you get even moderately loud levels of stage volume on a really tight stage in a small venue, you start getting mud out front and difficulties getting the vocals on top of the mix IME. The worst is when the stage isn't very deep and the drums are just a few feet from 2 or more vocal mics that are pointed directly at the cymbals.

What is really insane is that I have seen people put condenser mic overheads up in small clubs! As if the cymbals weren't already overpowering the mix to begin with.

A question to the forum members here. How many touring acts do you know that DON'T use IEM's on stage?
 
A question to the forum members here. How many touring acts do you know that DON'T use IEM's on stage?
Pretty much none (rock/metal shows) if the majority of members are under 50. That’s not a dig, that’s just what I’ve seen. The guys that have been doing it since the early 90’s or earlier are about 50/50. Even quite a few “big amp” bands are using IEM on stage and I’ve seen more than a few that have “secret” Kemper/AxeFX racks behind their stacks and are running DI to FOH instead of mic’ing the cabs.
 
A question to the forum members here. How many touring acts do you know that DON'T use IEM's on stage?
Lots.

The ones that I do see, it is usually primarily the vocalist. The guitarists and bassists usually do not. The drummer sometimes will if they need to play to click tracks.

I have a friend who plays in a band who tours Europe. He lives in Sweden, and him and his drummer (there is just the two of them) drive around in their little van playing shows all of the time. No IEM's. Several cabs; one of them being an 8x10 that he lies down on its side.

I've lost many a soundcheck to jumped up bands who think they're better and bigger than they are, dragging their entire IEM rack into the venue and wasting everyone's time by setting it up; and genuinely, I cannot think of a time where anymore than 30 people were there to watch them.

By the time we went on stage, the room was at least double that.

Whenever I've played festivals like ArcTangent, the modeller and IEM setups are very thin on the ground. Largely speaking, in the post-rock/post-metal/math-rock/atmospheric prog rock world... people are not using this stuff. They're still largely using Boss pedals into cranked amps.

And it is fucking glorious.
 
Pretty much none (rock/metal shows) if the majority of members are under 50. That’s not a dig, that’s just what I’ve seen. The guys that have been doing it since the early 90’s or earlier are about 50/50. Even quite a few “big amp” bands are using IEM on stage and I’ve seen more than a few that have “secret” Kemper/AxeFX racks behind their stacks and are running DI to FOH instead of mic’ing the cabs.
Most people I've played with over the last 20 years are around my age, and I'm only 40. Nearly everyone in my scene is younger than 50.
 
Most people I've played with over the last 20 years are around my age, and I'm only 40. Nearly everyone in my scene is younger than 50.
I’m in the same age bracket, similar genres and it’s quite different around here. But I’d say 85% of the bands with IEM racks aren’t slowing anything down because they’re all plugging in to one place and handing FOH a split snake and then playing after line check because they’re not checking monitors or anything else. Pretty rare to see a band bring all that stuff and not be prepared to use it professionally.
 
I’m in the same age bracket, similar genres and it’s quite different around here. But I’d say 85% of the bands with IEM racks aren’t slowing anything down because they’re all plugging in to one place and handing FOH a split snake and then playing after line check because they’re not checking monitors or anything else. Pretty rare to see a band bring all that stuff and not be prepared to use it professionally.
Maybe the knowledge is filtering down from your shit heap mega churches, I don't know. But I can tell you over here at the small to mid level, most bands don't know their arse from their elbow.

The one memory I have is when I was doing live video and audio recording for a show. One band turned up with this 10U rack case, and took an hour to setup. On a 4 band bill. Fucking dozy sausages.

My old band got consistently good reviews and comments about our live shows, and usually all we did is turn up and set everything up the same way we would a rehearsal. Drummer kicks a beat. Guitars and bass turn up their stage levels to that. We let FOH do their thing.

I absolutely will not play guitar at a level where I cannot get musical feedback by standing in front of my cab. I just won't do it.
 
That's just BS. "Except that no one does that". You can't possibly be serious. Google "Band stage volume too loud". Let me know if anything is unclear in what you find.
I don't need to google about playing live. I've been playing live for a long time. From local venues to large venues opening for national acts like Extreme, Kings X and many others..(Nuno and Ty don't use IEMs btw, I guess you know tone/mix better than them too?).
Sounds like you're working with a bunch of hacks.
 
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I absolutely will not play guitar at a level where I cannot get musical feedback by standing in front of my cab. I just won't do it.
A person doesn’t need crazy volume to achieve that, and if you’re setting up to where you can still hear the kick and toms on stage with your amps you’re definitely not in the “super crazy loud” group for sure. I can’t say I’ve been to a non-local festival where I could even tell what the stage sounded like or had any effect on FOH.
 
Skynrd: Doom Edition.
Saved By The Bell Idea GIF by PeacockTV
 
A person doesn’t need crazy volume to achieve that, and if you’re setting up to where you can still hear the kick and toms on stage with your amps you’re definitely not in the “super crazy loud” group for sure. I can’t say I’ve been to a non-local festival where I could even tell what the stage sounded like or had any effect on FOH.
I don't think anyone here has ever defended crazy volume. Maybe one guy. But generally speaking, what I said is exactly what people have been avocado-ing for.
 
I don't need to google about playing live. I've been playing live for a long time. From local venues to large venues opening for national acts like Extreme, Kings X and many others..
Nice! Ever hear of, or better yet, see, Nuno & Gary's brother's band? Can't remember their name, but they opened for Extreme at Hammerjacks a long time ago, and they were killer! Gary's brother played a red Les Paul, and all their material was rockin'! I was really digging them.

Edit: I think they were 'Flesh.'
 
Nice! Ever hear of, or better yet, see, Nuno & Gary's brother's band? Can't remember their name, but they opened for Extreme at Hammerjacks a long time ago, and they were killer! Gary's brother played a red Les Paul, and all their material was rockin'! I was really digging them.

Edit: I think they were 'Flesh.'
yes, Flesh. The brothers are Markus (Gary's brother guitar) and Paulo(Nuno's brother, singer). I know them both, I wouldn't say we're friends but just from gigging around the East Coast... we played a few shows together back in the day. Haven't heard or seen them in a long time. I wonder what they're up to now, both of them are great musicians.
 
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