The Laney is great, but I've only played the 1x12" model.It all makes sense now! A 150W speaker for $500 is expected. A 1000W speaker for $500 is deal of the century.
If I go down this path, I will take a closer look at the Laney LFR. Those are priced more in line with the actual wattage they advertise.
It all makes sense now! A 150W speaker for $500 is expected. A 1000W speaker for $500 is deal of the century.
If I go down this path, I will take a closer look at the Laney LFR. Those are priced more in line with the actual wattage they advertise.
I would just get a small tube amp and keep the HX stomp running through the monitors. I would not pay 900 for this as a hobbyist.
DSL + HX Stomp in 4CM = Amp in the room and modeling tones. Best of both worlds for a lot less $$, IMO.
I have no idea what DSL and 4CM is?
DSL: Marshall DSL. e.g. DSL20 Combo.
4CM: 4 Cable Method.
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I'm betting eight position rotary switch.
Don't want to use? Just use MIDI.
A 1000W speaker for $500 is deal of the century.
No. Plenty of speakers manage that.
Know thy knob, I guess.It's not about whether I want to use it or not. But about whether I accidentally "use" it.
Fwiw, while I was sort of interested at first, I'm not anymore. I have a monitoring only EQ in my main rig. I can as well add one in my small rig. And while it might make sense to have this thing when only using a Stomp (freeing up one block), when I actually use my Stomp on its own, it's pretty much always because of transportation issues, so any of my own monitoring options would have to stay at home anyway.
Which leaves me with the mic/live adjustment knob. That I have absolutely no use for.
So, rational thinking -> money saved.
I think he’s talking about the whole package-including a speaker that is actually rated for 1000WRMS, an amp that actually puts out that much power, and a cabinet to hold everything. That would be a steal.
Know thy knob, I guess.![]()
I think this why Fender and Laney did such a good job with their first offerings in this realm.What curbs my enthusiasm is the fact that IK Multimedia doesn’t have a ton of experience in this type of gear
There's still plenty of class D monitors in that range.