Fractal Talk

[Mongillo19]

5 hours later, still No.

Yeah it's not only not true but also a slight on all these companies who put time and money into creating models. I love FAS as much as most on here but let's not get carried away

 

[laxu]

Not owning a Fractal or a 5150, the TMP 5150 sounded as good as the Fractal 5150. And with tweaking the knobs or swapping IRs, I am certain you could get virtually identical result with either one.

There is the problem though. The people who care about these things ABed them through the same IR and found them different. Of course the assumption was that the Fractal was correct. Lo and behold, a couple months later TMP updated the model and it sounded virtually identical.

Its just a tone match they had to do based on public perception that the Fractal was more correct.

Fender owns rights to the 5150 model and it is hard for me to believe that they "screwed up" the accuracy of the model. It sounded the same as the Fractal but with a different EQ. The explanation was probably hand waving. They changed it to appease the market.

Their original model was probably closer to their in-house example.

I think your theory is just plain wrong. There were videos comparing the TMP to not only real EVH 5150s, but the Fractal and Quad Cortex. The TMP was the only outlier whereas the others lined up with "pretty close", enough to account for variations in amps.

Fender fixed an issue where impedance curve modeling was not applied to IRs but only TMP's stock cabs.

Have you ever used a tube amp through a resistive load? Because you can get the same effect where it becomes kinda flat and dull sounding compared to running direct to a cab (which acts as a reactive load altering the behavior of the tube amp), and swapping the resistive load for a proper reactive load makes a very noticeable difference where it becomes more "alive" sounding.

Also, why are we discussing this in the Fractal thread?

 

[dk_ace]

Not owning a Fractal or a 5150, the TMP 5150 sounded as good as the Fractal 5150. And with tweaking the knobs or swapping IRs, I am certain you could get virtually identical result with either one.

There is the problem though. The people who care about these things ABed them through the same IR and found them different. Of course the assumption was that the Fractal was correct. Lo and behold, a couple months later TMP updated the model and it sounded virtually identical.

Its just a tone match they had to do based on public perception that the Fractal was more correct.

Fender owns rights to the 5150 model and it is hard for me to believe that they "screwed up" the accuracy of the model. It sounded the same as the Fractal but with a different EQ. The explanation was probably hand waving. They changed it to appease the market.

Their original model was probably closer to their in-house example.

You should probably take this to a TMP thread I guess if you can’t actually speak to the quality of the fractal models.

I remember what you are describing, and the A/B tests with the real amp to the TMP weren’t close either. The fractal was close to the real amp, the TMP wasn’t. We were all shocked that they blew it on their own model, but they did. They then fixed it. Crap happens. They didn’t change it to match fractal they changed it to match the real amp, because it didn’t.

D

 

[Shredder777]

You should probably take this to a TMP thread I guess if you can’t actually speak to the quality of the fractal models.

I remember what you are describing, and the A/B tests with the real amp to the TMP weren’t close either. The fractal was close to the real amp, the TMP wasn’t. We were all shocked that they blew it on their own model, but they did. They then fixed it. Crap happens. They didn’t change it to match fractal they changed it to match the real amp, because it didn’t.

D

Which real amp?

 

[Shredder777]

I think your theory is just plain wrong. There were videos comparing the TMP to not only real EVH 5150s, but the Fractal and Quad Cortex. The TMP was the only outlier whereas the others lined up with "pretty close", enough to account for variations in amps.

Fender fixed an issue where impedance curve modeling was not applied to IRs but only TMP's stock cabs.

Have you ever used a tube amp through a resistive load? Because you can get the same effect where it becomes kinda flat and dull sounding compared to running direct to a cab (which acts as a reactive load altering the behavior of the tube amp), and swapping the resistive load for a proper reactive load makes a very noticeable difference where it becomes more "alive" sounding.

I have an mdf isolation cab which I use my tube amps through when going silent. I can't speak to the difference with a reactive load vs speaker.

Also, why are we discussing this in the Fractal thread?

Because I believe that Fractal models have become a standard.

 

[Orvillain]

What happened next was once this "standard" had been accepted, people went back to recreate it with real mics. There wasn't a parallel evolution of analog recording with digital direct.

Wait... what?

No. That isn't true at all.

The options that Fractal and others give you - and have been giving you for quite some time - are precisely because those were the microphone positions, mic choices, preamp choices, and aesthetic choices that were happening for decades prior to digital modellers.

I mean... high gain guitars - a 421 or 57 on a V30 is a standard, and it is a standard for real world reasons. Not digital reasons.

 

[Shredder777]

Wait... what?

No. That isn't true at all.

The options that Fractal and others give you - and have been giving you for quite some time - are precisely because those were the microphone positions, mic choices, preamp choices, and aesthetic choices that were happening for decades prior to digital modellers.

I mean... high gain guitars - a 421 or 57 on a V30 is a standard, and it is a standard for real world reasons. Not digital reasons.

Yes and no.

The sounds coming from the Fractal and modern modelers have much higher production value than tones from 60/70/80/90s.

My point was that modern tastes for guitar tones were developed from the internet "click algorithm", and the majority of those tones were done with modelers. And that feeds back upon itself. The best modeled tones then are used as a model for future iterations.


After the fact, some people have gone back and recreated the "modern interpretation of tone" with mics. For the past decade (at least) people haven't been listening to old recording for inspiration in their production. The expectation for modern guitar tones was largely set by modeling devices.

The only reason to use analog gear to record is for creativity and inspiration, but anyone doing that (now) are just emulating the production techniques developed over the past decade or so.

To make a crude analogy, its the same reason so many strippers have fake tits. At first fake tits stick out like a sore thumb, but after seeing so many, people start to identify with that look, even though they know its not real.

And now women are all wearing padded push up bras to make it look like they have fake tits even if they dont.