Stratzrus
Roadie
- Messages
- 795
Not sure it was ever really about the tone (alone). Some 10+ years ago another jazz guy (too) was always complaining. IIRC, it was about headroom, and maybe EVM12 IRs, so he kept using a physical cab.
Me, I really enjoyed the Mr. Benson preset, and even the Smokey Jazz for some minutes.
I also use a tube amp and physical cab (George Benson HRD or Sig:X with a FatBottom 2x12). I love the tones I get with the Atomic CLR but they're not the same as the Benson combo or Sig:X which I prefer for doing gigs.
Interestingly, my original Fryette Sig:X wasn't ideal for traditional Jazz tones. It had a distinct cut off of the lowest frequency range. That actually made it very good at cutting when playing with others but didn't really sound like Wes.
But after a while Fryette developed something that's been referred to as the "Fat Mod". I sent my Sig:X back to Fryette and had them do the mod which I understand was incorporated into later production runs of that amp. When I got it back the bottom end was there in spades and I remember thinking how much the clean channel now sounded much more like my '65 Super Reverb but with a ton more clean headroom. With the mod it made a great choice for playing Jazz in larger venues.
But the cleans in the original version had a magic of their own and I missed it. Not to the point where I regretted getting the mod but it would have been really nice to have both options for when I wanted to play Jazz with a tone that was more George Benson than Wes Montgomery or for Funk and R&B.
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