Hey now....I'm totally mild mannered! That was the old Cocaine Bear Flinto2002, this new dad mode McShred is chill.... Nah, I just threw up a little in my mouth when I typed that.
Tell you what, I'm going out on the 80's Cruise next month with When in Rome and the Fender is coming with. Its form factor, ease of programming without a computer, and quality tones mean that I'll be able to travel with my sounds and then dial them up during soundcheck in the theater regardless of what kind of backline I get. I'll be able to tweak things in the ships cabin as well, without trying to sync up to a laptop or other high maintenance nonsense.
I find the TMP and the FM9 pretty much interchangeable. There are things I like better about the TMP (ease of programming, auditioning changes, speaker sims, complete inability to overload the CPU....can't be done, I dare you) and things I like better about FM9 (currently has more amp models, scene mode, in depth tweaking of some parameters) but I suspect Fender will up the amp model count and roll out some equivalent of scene mode in the future.
I've gigged with both, recorded with both, and can get the goods with either.
If I was in market for a new unit and new to modeling the TMP would be it. You can't fuck things up, it works how you'd expect it to work, like iOS. You buy a fractal and you better have Leon Todd's videos saved to your favorites cause nothing about that unit is intuitive.