Is that TWO different wireless units, one for the guitar, and one going to the Fender?
Yep. The guitar wireless is some Amazon cheapie (Getaria GWS-8), but it sounds fine. The wireless I've repurposed for audio to the FR-10 is a BOSS WL-20. That one's been a big PITA in about half of my guitars, making intermittent noise every 10 seconds. (Something to do with the TRS connectors, I guess?) I was thinking of chucking it, or selling it for a dollar, when it occurred to me I can use it like this. Working great so far! :)Is that TWO different wireless units, one for the guitar, and one going to the Fender?
The fact that it's gotten so many positive responses is noteworthy but as they say, the proof of the pudding is in the eating.I will keep an eye out for holiday sales, I could be tempted to chase the 12.
IMO what's really cool about them, apart from their being much louder than you'd expect for their size, is the Cut knob. There's been some talk here about whether they're "flat" or not, and what "sounding good" even means when an FR isn't actually an FR. What's cool is that the Cut knob gives you a way to dial somewhere on a spectrum between an FR feel and a conventional guitar cab feel. Yeah, it's just an LPF, but it's tuned just right (or maybe it has something to do with where it's implemented, so close to the power amp and speaker?)The traditional combo tone, light weight, and conventional appearance make it a very attractive option.
As much as I hate to be "that guy", is there any noticable latency, playing like that?Yep. The guitar wireless is some Amazon cheapie (Getaria GWS-8), but it sounds fine. The wireless I've repurposed for audio to the FR-10 is a BOSS WL-20. That one's been a big PITA in about half of my guitars, making intermittent noise every 10 seconds. (Something to do with the TRS connectors, I guess?) I was thinking of chucking it, or selling it for a dollar, when it occurred to me I can use it like this. Working great so far! :)
The FR-12 might either be the solution, or vastly bridge that gap between Plastic TurdTM, and conventional amp/cab, for you.I’m mostly worried about crunch and high gain tones sounding weird at volume. I’ve never played through an IR in a live scenario where it was inspiring at all.
No, it's a perfectly reasonable question. (Even my wife asked about the "delay" - she doesn't know the Leo Gibson-approved terminology LOL. Though I think she was assuming Bluetooth when she did.) Anyway, I was fully prepared to test it on a lark and then pull it and run a cable when it inevitably sucked. Except it didn't suck at all. Go figure.As much as I hate to be "that guy", is there any noticable latency, playing like that?
Filter don’t care where it’s placed within a LTI system, filter filters.IMO what's really cool about them, apart from their being much louder than you'd expect for their size, is the Cut knob. There's been some talk here about whether they're "flat" or not, and what "sounding good" even means when an FR isn't actually an FR. What's cool is that the Cut knob gives you a way to dial somewhere on a spectrum between an FR feel and a conventional guitar cab feel. Yeah, it's just an LPF, but it's tuned just right (or maybe it has something to do with where it's implemented, so close to the power amp and speakere?)
Not getting enough sizzle for your chimey tones, or your backing tracks, or whatever? Dial the Cut back. Not getting enough heft for your faux 4x12 hi gain tones? Bring the Cut up a bit. Magic sauce.
As a Fractal user what's cool about them for me are all the knobs.IMO what's really cool about them, apart from their being much louder than you'd expect for their size, is the Cut knob.
Ok you picked up on exactly what I was putting down and I suspect many others here have expressed as well. The fact that it can respond “kinda” like a guitar cab while being fed impulse responses makes it hard to not at least explore.The FR-12 might either be the solution, or vastly bridge that gap between Plastic TurdTM, and conventional amp/cab, for you.
The biggest difference to me is, while all of the Plastic TurdsTM have low end, (some have overly hyped low end), they don't resonate like a conventional guitar cab does, and the Fender does that. I was the same as you, "there's still an IR with a close mic in the mix, so, how can that sound like an amp that's next to me?" Somehow, it just does.
I use a Friedman IR-X-based rig, FWIW.
This.Somehow, it just does.
FR10 continues to impress. I had a couple of friends by this weekend, drummer and bassist. I started the day optimistically, running both vocals and guitar (QC) through a pair of HS8s. No matter how loud I got, the guitar would just vanish under the rhythm section. Finally plugged in the FR10 - a little nervous that it was going to be too small - and it completely filled the room with the volume knob at about 9 o'clock. Very clear, and surprisingly punchy for a 10" cabinet. I wasn't even tempted to "upgrade" to 4x12 and power amp. The FR10 is so easy!
Me too.FR10 continues to impress.