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Who do you think you are,
He's coming for you and your steak knives
Who do you think you are,
ToneX by itself isn't too attractive to me. I see it as one component on a board with something acting as the command centre for the entire thing - Helix, FM9, etc.I'm interested in how this tiny pedal bests or doesn't best Headrush, Stomp, Iridium, UAD pedals etc, even FM stuff ..all the small high end stuff that would've been my alternative, in size, to my Kemper, prior to the ToneX arriving.
It's funny 'cause it's true.
No, you won't be saving much of the FM3's DSP.I figure that the FM3 will be a fantastic pairing with the ToneX pedal. I'll get to save tons of DSP by using the ToneX as my amp and cab block and that'll free up a lot of power for running a more complete and complex virtual effect pedal board in the FM3. I will now be able to run all of the effects I've always wanted but for which I didn't have enough DSP available.
Correct me if I'm wrong, but doesn't the FM3 reserve particular cores/processing units for specific functions, which would mean no DSP "saving" (at least for the amp), just an unused core?No, you won't be saving much of the FM3's DSP.
You have an FM3? Power that bitch up, load you favorite preset, remove the Amp Block, and observe the CPU percentage. I’d like to know as well.Correct me if I'm wrong, but doesn't the FM3 reserve particular cores/processing units for specific functions, which would mean no DSP "saving" (at least for the amp), just an unused core?
I had one - I have an FM9 now, and that works differently too, but looking at the FM3 Wiki:You have an FM3? Power that b*tch up, load you favorite preset, remove the Amp Block, and observe the CPU percentage. I’d like to know as well.
Amp modeling runs on the 2nd core DSP, together with the Delay blocks.
While comparing captures to other devices that let you do that is certainly more apt, I think the comparison to component modelers are interesting too.So here's what I would say.....
Asking people to compare ToneX to their component modelling platform is a bit .. I dunno... if I squint and read that sentence, it kinda makes sense. What I can say is, I've got Diezel VH4 captures with ToneX that I enjoy more than the Diezel VH4 models on the Axe3. That's not because the Axe3 is in anyway sub-par. It's because the ToneX captures are my particular VH4. Other people might think the captures are s**t, and that is fine... they can just go f**k themselves.
But suuuuuuuuuuurrreeeelllyyyyyy the most appropriate comparison is against Kemper and Quad Cortex? Surely we can all agree on that?! If not, I'm not sure what we can really discuss. To me, it's the only comparison that makes sense.
Given how long it took Kemper to come up with a software editor, why would anyone think theyd ever make a plugin?Brandon’s report is kinda what I’ve been curious about. When I got the Kemper, I wasn’t leveling it against other modelers, or claiming it was better, but against my amps. It compared well so I stuck with it. The more recent small or even tiny revolution has had me wanting in, and until ToneX that meant modeling. Personally I could get by with the pedal features alone for some things but really it does seem like pairing it with pedals or a Stomp would be ideal. I’m sure many will say the best modeling compares with its captures. No reason to doubt that. But based on my experience with lots of plugins lately, I’d still be inclined to go with ToneX, barring some big unexpected announcement from the platform I’m already so deep in to. I sort of can’t believe there’s no Kemper plugin and a system that integrates the plug with their hardware. I’ve been sugg—no, begging for it forever. As long as Kemper has been around, at least in terms of guitar stuff IK has been in it even longer. So maybe it’s not a surprise that they’re first.
Tonex is one at a time.Curious if anyone knows how Many Captures you can run at once?
Also how quick does it switch Presets?
I like the QC for Kitchen sinking my Pedal & Amp Captures & wondering if the ToneX is Capable of the Same or something similar?
I just tested it out and this is correct; removing the amp block doesn't reduce DSP, but I can swap it out for a delay at least, which is something that I'd like to be able to do anyway since having a slapback delay in front of the amp would be nice but I haven't had enough DSP to run 2 delays at once in most of my presets.This suggests that any DSP saving by offloading amps to the ToneX can only be "spent" on delays.
For sure. TONEX Pedal has been great paired with multifx and similar units. I think you'll be very happy with your particular pairing, quite a nice setup.I figure that the FM3 will be a fantastic pairing with the ToneX pedal.
It has been described as gapless by others here or at "the other place".Also how quick does it switch Presets?
None of this has to do with why anyone would ever have expected Kemper might make a plugin...To be fair, editing on the front of the Kemper, with zero bending of the knee, even on the fly, has always been easier for me and still is, versus other stuff. The rig exchange has always been easy. The editor finally came and I use it, but sometimes just pressing the button on the unit is still easier.
There are a million examples of companies inventing a technology, and other companies later on carrying those innovations in to the future. Maybe, if the ToneX software gets streamlined and easier and less promotions-riddled, they're that company. I'm rooting for them. And also still hopeful that Kemper keeps innovating.
Those ideas are not mutually exclusive.
Definitely gapless for me here.It has been described as gapless by others here or at "the other place".