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I just don't care about the "the audience won't hear a difference" and "you'll never hear it in a mix" type arguments. If I can hear a difference, then that is enough, yknow?
I just don't care about the "the audience won't hear a difference" and "you'll never hear it in a mix" type arguments. If I can hear a difference, then that is enough, yknow?
I'm a professional audio engineer and these 2% differences across every vector of the recording chain, they matter to me. Add them all up, and it makes a difference to the final product.
In the Kemper case, yes - profiles are noticeable worth.Well, the question being whether those differences are actually making things sound worse. Amp doesn't sound like the original? So what, as long as it sounds great.
In the Kemper case, yes - profiles are noticeable worth.
No offense but I'd trust @Orvillain who has owned one and completed extensive testingApart from the typo (I assume...), I'm not sure whether I'd agree. No, I never owned a Kemper, but I have been comparing the mic'ed up, isolated originals against their profiles a number of times - and while I noticed differences here and there, I wouldn't necessarily say they were worse. Add to this the excellent picking/definition parameters of the KPA and you could sometimes even improve the original.
I was pretending to have a lisp.Apart from the typo (I assume...), I'm not sure whether I'd agree. No, I never owned a Kemper, but I have been comparing the mic'ed up, isolated originals against their profiles a number of times - and while I noticed differences here and there, I wouldn't necessarily say they were worse. Add to this the excellent picking/definition parameters of the KPA and you could sometimes even improve the original.
No offense but I'd trust @Orvillain who has owned one and completed extensive testing
Yes, in my limited testing it as a Load/DI it was a bit dark.I can use my PS100 to do a capture of my Fireball right? Would be cool to not have to buy a RL box.
Yes, in my limited testing it as a Load/DI it was a bit dark.
Depends on the interface you have, you may need a reamp box, may. You set the routing in the Tonex app. I would try both the line out and the effects out on the PS100 back to the interface.Interesting. Would like to give it shot.
What’s the routing?
Absolutely. You don't even need to turn on the PS100. Just plug the amp to the Amp in and the line out to your audio interface.I can use my PS100 to do a capture of my Fireball right? Would be cool to not have to buy a RL box.
Interesting. Would like to give it shot.
What’s the routing?
Yeah, the Edge setting on the PS100 makes the Impedance Curve look more like a real speaker in a cabinet, according to my measurements.Yes, in my limited testing it as a Load/DI it was a bit dark.
Absolutely. You don't even need to turn on the PS100. Just plug the amp to the Amp in and the line out to your audio interface.
Make sure the reactive load switches are set to up or middle so it isn't just a resistive load.
Yeah, the Edge setting on the PS100 makes the Impedance Curve look more like a real speaker in a cabinet, according to my measurements.
So just take the line out from the PS100, and run it into one of the inputs of my Scarlett interface?
I’m assuming I need to take an output from the Scarlett and run it into an input of the amp?
Scarlett Output to Amp Input?
Amp Speaker Out to PS100 Amp In
PS100 Line Out to Scarlett Input 1
Guitar to Scarlett Input 2
Something like that?