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I'm just saying that something like the QC is an entirely different class of product, with a target demographic of its own.
I'm just saying that something like the QC is an entirely different class of product, with a target demographic of its own.
The Tonex Pedal is a device to integrate into other systems whether they be analog or digital.
No it *isn't* and it isn't what you said.No. Read again. I'm only complaining about how they are placed, which is very illogical.
TheBickeringForum ™
You said why doesn't it act like an amp control
Ok, you said "model control" but since we expect a model control to act like an amp control, I struggle to see the difference?No. I did not say that at all.
I have an Axe-Fx 3. It has freakin' 300 amp models (about 100 unique amps and their channels/variants) and 2048 factory + 2048 user IRs, with a ML MIKKO/QC/Helix/IK VIR style movable mic cab sim system coming. Something like a capture feature is IMO really irrelevant for it because it does every freakin' tone you could ever think of already in one box.This does lead me to the question though - if a Helix or FM-3 could load tonex amp models, and you could do all your FX/IR/presets solely in one device, would you still buy a simple ToneX pedal?
Ok, you said "model control" but since we expect a model control to act like an amp control, I struggle to see the difference?
This does lead me to the question though - if a Helix or FM-3 could load tonex amp models, and you could do all your FX/IR/presets solely in one device, would you still buy a simple ToneX pedal?
And I explained why the "volume" control isn't what you think it is, so what gives?I was talking about the location of the model's volume control. Nothing more, nothing less. And the way the TONEX pedal is doing things is illogical. Why?
Well...
There's these (and quite some more):
View attachment 4433
View attachment 4434
View attachment 4436
View attachment 4437
And then there's this:
View attachment 4438
And I explained why the "volume" control isn't what you think it is, so what gives?
Now, answer the question, do you own one?
It’s just the general bar for digital. If it wasn’t good enough being inexpensive would be irrelevant. It will be at least as good as any other snapshot based modeling currently available.why are we using “good enough” as a descriptor of the tones
It's exactly they way the big volume knob on the Helix and Quad Cortex works for the most part.No. I don't need to own one to conclude that the way every other modeler does patch volume and master volume is better.
What? That’s a fair criticism!