ballhawk
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Seems like it should have been ToneEunich.Not a fan of the name either, but it’s a little better than tonocracy. I would have gone with toneunism. Tonetatorship. Tonetalitarian.
Seems like it should have been ToneEunich.Not a fan of the name either, but it’s a little better than tonocracy. I would have gone with toneunism. Tonetatorship. Tonetalitarian.
Just to put some science behind my words:It is significantly more accurate than the Kemper and QC.
I'd be ok with it if it were much smallerReally ToneX is pretty simple as just a pedal if someone is using it as an AIAB type pedal. Like something to compete w/ Amplifire Box, etc. Load it with like a dozen really good profiles and be done.
What are the pedal alternatives to this thing right now? Anything small? Seems like there was some sort of Mooer thing, and I thought maybe NAM was on a pedal now?
I see the Mod Dwarf thing. I swear there was one from Mooer or something that did captures
This is spot on.Really ToneX is pretty simple as just a pedal if someone is using it as an AIAB type pedal. Like something to compete w/ Amplifire Box, etc. Load it with like a dozen really good profiles and be done.
I'd say it is currently the best option for that kind of use. It's insanely good for the money and compact and can just serve up a ton of killer amp tones pretty quick. If you are a load it and forget it guy who just wants to add a few more amp tones to a rig or take caps of your own hardware on the go, it slays.
Most people here aren't like that, though. People's issue, here, rightly, is that the software/ecosystem is just horribly bad, in terms of data management and there is no editor which is just ridiculous. A lot of folks would like it as a Kemper or QC replacement, in conjunction with like an HX Stomp or on the plugin side with their own Amplitiube; but it fails pretty hard like that because everything is just so wonky. Like everything about their ecosystem is just poor/weak.
IK is weird because they are so hit or miss. The ToneX capturing is concept is actually awesome but almost everything else about it blows and their support tend to gaslight or ignore issues and just let them fester for all of eternity. I mean *someone* on their staff has got to understand signal levels matter or they would not be able to produce plugins, but their support is like "there is no issue" when people bring stuff up about it.
They are so busy pretending there is no problem that their stuff never really improves and they will just keep pushing new packs for people to buy.
Just to put some science behind my words:
Available in the custom shop. 5.99 for military time, which you must purchase first, and then add 12-hr option for another 12.99, and a daylight savings option for 9.99, or buy clock Max which does 12-hr time and daylight savings, but will not all autolocation adjustment, for 25.99.I wish they would enable the hidden clock radio mode they've been hiding all this time
When the software reverts to something free from something paid for, it is a different ballgame. When that same software deletes the content you have paid for from the pedal during an official update, that is a whole different ball of wax.
I didn't find it difficult to use, it could be a pain, but I worked around that easily. I was using it as an amp in a box. No problems with that, the sound was outstanding.
When the erasure of said content from the pedal happened and I could not restore it and could not get any support at all from IK Multimedia,
it became a SUCK experience for ME!
They added a restore purchases option in the software vs before it had to be done in product manager.I was using it as a pedal board only unit. Did three gigs with it that way as my amp. It worked perfectly. Had one overdrive in front, and one delay behind it. I put it into a DI box and direct to board. It sounded great. I had a monitor in front of me with only my guitar, and the vocals, much lower than my guitar. Perfect.
The problem was, when I went to update the software, it changed me from Max back to Tonex CS. The amps I use, were deleted from the pedal, as well as in the software itself.
I got absolutely no help from support. I still have not even received a reply at all. That was the problem I had. Yes it was a pain in the butt sometimes with the software alone, but I was willing to put up with that for the sounds I was getting. When I lost those sounds, it was useless to me.
I think there is also a Tonocracy (+NAM?) pedal apparently in the works from Atomic.
This is spot on.
I feel like the odd man out but I’ve overall had a positive experience. I’ve attributed that to a couple reasons that overlap with some of what was articulated above.
- I don’t do much profile surfing. I know what I like, I found it, and loaded it into the pedal. In other words I’m not fighting IK’s bad UX often.
- I bought it for what it was at release. IK’s reputation is well known. If there’s a critical feature you need that isn’t there at release - you’re rolling the dice.
- I capture my amps and pedals. I love my amps. They sound great. I like being able to carry them with me in a little magic box.
Thanks for sharing this. We so rarely get opportunities to back our observations with data. Was a good read. There are countless YouTubers demonstrating the null test as well with similar observations.
Despite all the things IK did wrong in Tonex, they got the tones right. Like, big right. Kemper has a tell. Tonex is indistinguishable to me and IMO represents a step forward that is under acknowledged due to the number of non-tone related flaws at IK.
Someone said it earlier and I agree. The Tonex pedal is the Amplifirebox of the profiling space.