@JiveTurkey not sure where you're at now but have you ever tried a Scarab Dlx? It’s a “safe” fuzz since it can sound like a Tweed Deluxe (cleanish to knarly, super transparent) and then with a twist of the bias knob a Spaghetti western and on full gain, Mick Ronson territory. Since it’s utility in a way, it isn’t like a DAM or othe boutique that’s fully committed to one inspired thing, but it’s still pretty great.
And now the part that p*ss*s everyone off. I’ve owned and/or recorded Klons/Zens (I do miss my signed Alf Zen but whatev)/clones of both/808/Rat/BDs/and lots more. There’s a crazy sameness to ALL of them. One good drive combined with a boost and that Source Audio eq that has memory slots and you can approximate all those tones. I also have a ton of Chinese clones, including the more recent minis, and other than one inspired combination that sounded incredible—
the original Joyo Tube Screamer into their original comp, 22 bucks each at the time—I don’t know .. the stuff isn’t as good. Tone matching after the fact is easy, but the experience of using the stuff, how it feels to play, is almost more important. Btw, a compressor with character is an amazing addition that can act as a boost.
I may have something fancy incoming, a sort of answer to my tone explorations going on inside of the Kemper and computer (UAD, NDSP)..who would've thought I’d learn anything new (new for me) .. anyway if it happens I’ll report.