SillyOctpuss
Shredder
- Messages
- 2,060
The Lethal Weapon soundtrack being played ond 16 broken ghetto blasters at once, in the middle of Harlem.
The Lethal Weapon soundtrack being played ond 16 broken ghetto blasters at once, in the middle of Harlem.
I'd love if they added the Mezz. Also need some Orange amps on there. A Bad Cat Lynx would be great. And this...
Yeah man, your tips helped even me dial it in, like fast! Thank you!There's a learning curve to dialing it in but Gain 2 seems to have a bright switch/cap that's always engaged so the trick to dialing in the "thinness" is to push Gain 2 past ~ 2 o'clock. Gain1 acts more as an overall saturation (traditional gain pot) afterwards. I usually adjust Gain2 to shape how fat or sharp I need to amp to sound and the use Gain1 to get close to the amount of saturation I need.
Cranking the Bass dial all the way up also helps on this amp as it doesn't get flubby even when dialed in like this. This amp takes a lot of "weird" EQ moves pretty well (like Bass full tilt, Mids @ 2 o'clock, treble back at 9 o'clock and Presence @ 3 o'clock).
I like it a lot.
I recently bought a QC, and also recently got a pretty decent deal on a Kemper Player. I think I’m going to keep them both, as they both have kind of unique niche use cases.? Please do elaborate...
In modeling land, an MZero is going to be indistinguishable from an SLO. IMHO. Other two would be awesome…Good point I would love them to do some new stuff that maybe the other players don’t have
Zwrecked
Mezzabarba Zero
Mesa Badlander
Obviously they won’t do any Marks or Toneking
Agree 100%! I found the amalgam audio (especially the newer Marshall greenback that comes with the higher gain qc DI caps) sounded incredible paired with the nameless amp and made nameless effortless to dial in.Nameless probably my favourite NDSP sim, but not with the stock IR’s.
I dig the SLO too but it’s slightly on the dark/bloated side. It’s basically the only NDSP plugin where I like using the built in EQ to add a bit more sizzle back.
By new Soldano do you mean the SLO plugin?New Soldano is solid, not sure it's worth it for anyone outside Soldano junkies. It sounds a little better than the other one but not that much IMO.
By new Soldano do you mean the SLO plugin?
Dang it's a few years old alreadyYes. I had this plugin from a couple years ago.
I recently had both Meris LVX and MercuryX and ended up sending them back because for just a little bit more money, you can buy the quad cortex and get infinitely more possibilities. That Meris stuff is cool as an idea but entirely too complicated in practice and just not worth it for a normal guy like myself. It was entirely too much.Meris LVX reverse structure versus Quad Cortex reverse.... I just don't understand how the Meris kinda sucks in reverse mode... it is glitchy and not smooth sounding at all... on a blank preset this is. I think the core reverse algorithm is "flip" mode, because when you switch the QC to flip it sounds closer but still better than the LVX.
If you set the overlap parameter on the QC to 0% then it sounds like the LVX - glitchy and crap.
Yeah, I dig the pedals a lot, but I totally get what you mean. They're quite a bit of faff versus just throwing in reverse delay, digital delay, and mind hall, on the QC... tweaking 4 or 5 things and getting a really nice ambient tone.I recently had both Meris LVX and MercuryX and ended up sending them back because for just a little bit more money, you can buy the quad cortex and get infinitely more possibilities. That Meris stuff is cool as an idea but entirely too complicated in practice and just not worth it for a normal guy like myself. It was entirely too much.
I’m gonna compare to the Kemper stuff later. I also have Helix Native so I’ll check it out as well. My issue with the Helix stuff was always that the amps themselves sounded kind of flat and you had to EQ to extremes to inject some life into the sound. I don’t feel like that about the QC, and the Kemper sounds even better (just got a Player).Yeah, I dig the pedals a lot, but I totally get what you mean. They're quite a bit of faff versus just throwing in reverse delay, digital delay, and mind hall, on the QC... tweaking 4 or 5 things and getting a really nice ambient tone.
FWIW, I also think the QC reverse algorithm sounds better than the Axe FX III one. I've not tried the Helix yet, but I loved the reverse on the DL-4 and so I've always used the legacy reverse model on Helix for that, and it sorta sets the standard for me.
That amp is silly good. I can get by with it and just a Neural Capture for cleans.Nameless is sick guise.
Turn the mids down to 2.0. You'll get betterer toan.