Namm 2025 predictions

I had a pair of Sterling JP150Ds I got from Sweetwater. I changed their pickups and put real Gotoh 510s and they were killer. They both got sold during my downsizing though.

IMG_2036.jpeg


Edit: the pic is pre pickup swap. I put alpha/omega in the blue one and scarlet/scourge in the orange one.
 
Hughes & Kettner Grandmeister is sort of in that direction, just without having several full channels.

ENGL Ironball SE has e.g built in delay, reverb and noise gate. While they got positive reviews, I don't think many would go for that. Many people have their favorite fx pedals or processors so they don't want an amp that contains all that.

By comparison the more beginner market is meant to offer a more comprehensive all-in-one solution so people don't need to buy the fx to get started.

The weird thing is that there don't seem to be that many complex amps with built in IR loaders. Most of them are bundled with 1-2 channel amps, 20 watters and whatnot. Maybe it would cost too much to have a loadbox that can handle above 100W on something like the JVM410?

You'd also think Synergy would jump at that but we seem to be getting a 20W head instead, probably basically a Soldano Astro 20 with a module bay? Where's the SYN2 with an IR loader and poweramp sim? That would be a pretty perfect usecase for what they have. Or is their expectation that if you can afford to buy the SYN2, you probably can also buy Two Notes Torpedo Live or whatever?
Something like what you’re describing would be my preferred home rig. A real 3/4 tube powered preamp with the option of running into a digital power amp sim. I’d not have to worry about wearing out power tubes and can practice and record without disturbing anyone. I guess this is basically the Astro 20 without the power section?

The SYN-2 today is too expensive for lacking any power amp/IR-loading and other solutions haven’t looked as interesting to me(Friedman IR-X etc. is too crippled by the format IMO).
 
Well, it's a tube amp.
I really meant something fully digital, so it could be updated, so you could pre-select different models (into, say, 3 slots per channel, controlled by a 3 way switch), etc.



Well, imagine you'd be able to preselect your FX from a great palette, such as what can be found in the HX series or such. Just what would be exposed would always be just 3-4 knobs with the most relevant parameters working WYSIWYG style (and again with another 3 way toggle to select different models quickly).

Seriously, a 4 channel amp with individual boost (gain and level) per channel, 2 mod FX, 2 delays and one reverb would very likely take me through each and every gig I could ever imagine (unless it's some deep soundscapery thing required, but for those puposes you'd be using other things anyway).

In the end, you'd have 100% analog style "editing" (unless you wanted to go deeper and do custom things - but even in that case, once it comes to playing, everything would be 100% analog style) with all the advances of digital, such as being able to go direct, play at any volume, use the same thing for recording, have independent levels for FOH and your monitor/cab, etc.
Such an amp could as well be used for literally any gig, as the editing software would allow you to preload each channel with whatever the style you're into required.
Really, in the end it'd be a pretty capable modeler, just that it could be operated as quickly as an all analog setup and would allow people not into *any* kind of menu diving to use the thing as well. Do a careful factory preselection of amps (3 amps per each channel) and you might find some folks never even wanting to touch the accompanying editor.

Obviously, there should be an accompanying floor controller that should be dead easy to configure on the unit (allowing you to switch to any status on any switch but also allowing for a hybrid or plain manual switching mode). Should have a dual function pedal option as well (typically wah/volume) so you wouldn't need to have any sound running off the board and the board should be mountable to the back of the top or combo, so your entire rig would really be a one-single-device affair (unless you wanted an external cab of your choice).

I'm absolutely not sure whether such a thing would be a success, but so far we simply can't know because nothing even remotely like it exists.
Realistically, *if* such a thing existed, for, say, 1.5-2k, it could even be an almost instant buy for me. It'd be the perfect best-of-both-worlds setup for my needs.

A company such as, say, Line 6 could develop such a thing with pretty much zero R&D cost as all the technology does already exist in their current products. It'd just be a vastly different exposure.
I think that’s where we are going you are going to need to blend the flexibility of modelling with tubes and maybe a collaboration with an effects builder like Wampler , Strymon , etc etc
So you have an amp like the Line 6 DT50 small compact
Amp look maybe 6 or 8 voicing , digital back end with ir and integrated quality FX
HK kind or started that but in a 50 watt 6l6 package with better fx
Freidman ,Soldano , Synergy are all heading down this path and ultimately I think that’s what might make people look at that option vs all modelling
 
Well, it's a tube amp.
I really meant something fully digital, so it could be updated, so you could pre-select different models (into, say, 3 slots per channel, controlled by a 3 way switch), etc.



Well, imagine you'd be able to preselect your FX from a great palette, such as what can be found in the HX series or such. Just what would be exposed would always be just 3-4 knobs with the most relevant parameters working WYSIWYG style (and again with another 3 way toggle to select different models quickly).

Seriously, a 4 channel amp with individual boost (gain and level) per channel, 2 mod FX, 2 delays and one reverb would very likely take me through each and every gig I could ever imagine (unless it's some deep soundscapery thing required, but for those puposes you'd be using other things anyway).

In the end, you'd have 100% analog style "editing" (unless you wanted to go deeper and do custom things - but even in that case, once it comes to playing, everything would be 100% analog style) with all the advances of digital, such as being able to go direct, play at any volume, use the same thing for recording, have independent levels for FOH and your monitor/cab, etc.
Such an amp could as well be used for literally any gig, as the editing software would allow you to preload each channel with whatever the style you're into required.
Really, in the end it'd be a pretty capable modeler, just that it could be operated as quickly as an all analog setup and would allow people not into *any* kind of menu diving to use the thing as well. Do a careful factory preselection of amps (3 amps per each channel) and you might find some folks never even wanting to touch the accompanying editor.

Obviously, there should be an accompanying floor controller that should be dead easy to configure on the unit (allowing you to switch to any status on any switch but also allowing for a hybrid or plain manual switching mode). Should have a dual function pedal option as well (typically wah/volume) so you wouldn't need to have any sound running off the board and the board should be mountable to the back of the top or combo, so your entire rig would really be a one-single-device affair (unless you wanted an external cab of your choice).

I'm absolutely not sure whether such a thing would be a success, but so far we simply can't know because nothing even remotely like it exists.
Realistically, *if* such a thing existed, for, say, 1.5-2k, it could even be an almost instant buy for me. It'd be the perfect best-of-both-worlds setup for my needs.

A company such as, say, Line 6 could develop such a thing with pretty much zero R&D cost as all the technology does already exist in their current products. It'd just be a vastly different exposure.
The THR30 would be kind of close to this, I think.
 
The THR30 would be kind of close to this, I think.

Well, the old THR100's worked similarily as well - but yeah, in general, these are the closest. But I was really thinking about a more fullblown thing, as in having multiple channels with full control panels for each, a decent FX control panel and what not.
*The* key thing possibly being WYSIWYG control. On the thing I'd have in mind there'd be zero programmable parameters (just pre-selectable models per channel or FX block), so you'd be in full control of everything 100% of your playing time.
 
Well, it's a tube amp.
I really meant something fully digital, so it could be updated, so you could pre-select different models (into, say, 3 slots per channel, controlled by a 3 way switch), etc.



Well, imagine you'd be able to preselect your FX from a great palette, such as what can be found in the HX series or such. Just what would be exposed would always be just 3-4 knobs with the most relevant parameters working WYSIWYG style (and again with another 3 way toggle to select different models quickly).

Seriously, a 4 channel amp with individual boost (gain and level) per channel, 2 mod FX, 2 delays and one reverb would very likely take me through each and every gig I could ever imagine (unless it's some deep soundscapery thing required, but for those puposes you'd be using other things anyway).

In the end, you'd have 100% analog style "editing" (unless you wanted to go deeper and do custom things - but even in that case, once it comes to playing, everything would be 100% analog style) with all the advances of digital, such as being able to go direct, play at any volume, use the same thing for recording, have independent levels for FOH and your monitor/cab, etc.
Such an amp could as well be used for literally any gig, as the editing software would allow you to preload each channel with whatever the style you're into required.
Really, in the end it'd be a pretty capable modeler, just that it could be operated as quickly as an all analog setup and would allow people not into *any* kind of menu diving to use the thing as well. Do a careful factory preselection of amps (3 amps per each channel) and you might find some folks never even wanting to touch the accompanying editor.

Obviously, there should be an accompanying floor controller that should be dead easy to configure on the unit (allowing you to switch to any status on any switch but also allowing for a hybrid or plain manual switching mode). Should have a dual function pedal option as well (typically wah/volume) so you wouldn't need to have any sound running off the board and the board should be mountable to the back of the top or combo, so your entire rig would really be a one-single-device affair (unless you wanted an external cab of your choice).

I'm absolutely not sure whether such a thing would be a success, but so far we simply can't know because nothing even remotely like it exists.
Realistically, *if* such a thing existed, for, say, 1.5-2k, it could even be an almost instant buy for me. It'd be the perfect best-of-both-worlds setup for my needs.

A company such as, say, Line 6 could develop such a thing with pretty much zero R&D cost as all the technology does already exist in their current products. It'd just be a vastly different exposure.
Sounds like a powered Kemper to me. :)
 
Has there been anything new from L6 at all so far? Im not expecting Helix II but I guess I expected something. Maybe they don't participate in that cycle anymore.
 
I spent an evening making a rough demo I was ecstatic about, the drums, bass, guitars and possibly some keys. I text all my band members, “Wait until you guys hear this!!” and all that….then right around the time I was ready to bounce it down I realized it was the electric section of “Stairway To Heaven”. :rofl

Haha! That Am-G-F (I-b7-b6) progression has beaten to death. And we will all beat it to death some more. :chef
 
Man, I think the releases and NAMM have been pretty banging so far. And I
am not even old enough to qualify as a Boomer. :idk

Some pretty neat to me releases and reveals. Clearly the best post-COVID
NAMM we have seen to this point. In my view. Well done Gear Worlders! :cheers
 
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Man, I think the releases and NAMM have been pretty banging so far. And I
am not even old enough to qualify as a Boomer. :idk

Some pretty neat to me releases and reveals. Clearly the best post-COVID
NAMM we have seen to this point. In my view. Well done Gear Worlders! :cheers
What are your highlights so far?
 
I haven't honestly been paying attention to any YT feeds, so maybe
I am missing a bunch of stuff. Mostly what I know is from the threads
here. :idk

3 big takeaways so far:

1) Marshalls sound f'ing great. Bringing Custom Shop/Handwired/Modded Marshalls to the masses. :rawk

2) MXR Rockman thingy is loooooong overdue. Instant Time Machine Tones. :guiness

3) Peavey embracing their White Trash/Trailer Park Legacy. Oh no you didn't, Peavey! :chef



And who knows what today and/or tomorrow will reveal to us. :idk

Edit:

4) Friedman Arredondo Amp. Enough said

5) Synergy Syn:20 IR Luncbox head.
 
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I'd say it's just not made for us, but for very big budget guitarists.
TBH, the Revv thing is so dumb on so many levels... it kind of makes me feel negative about them as a brand on some level, since I don't have much knowledge of them outside a couple of models of their amps in my digital products. Seeing something so deeply stupid feels kind of off putting.
 
Man, I think the releases and NAMM have been pretty banging so far. And I
am not even old enough to qualify as a Boomer. :idk

Some pretty neat to me releases and reveals. Clearly the best post-COVID
NAMM we have seen to this point. In my view. Well done Gear Worlders! :cheers

What makes you moet enthousiaster?
 
TBH, the Revv thing is so dumb on so many levels... it kind of makes me feel negative about them as a brand on some level, since I don't have much knowledge of them outside a couple of models of their amps in my digital products. Seeing something so deeply stupid feels kind of off putting.
Their products are well made. I had a Revv Gen Mk 2 and really didn't like it. But the company was great to work with!

I know people think this is cool but idk how this is valuable for anything beyond high end performances. Almost seems like it would better off as a custom request
 
Well, it's a tube amp.
I really meant something fully digital, so it could be updated, so you could pre-select different models (into, say, 3 slots per channel, controlled by a 3 way switch), etc.



Well, imagine you'd be able to preselect your FX from a great palette, such as what can be found in the HX series or such. Just what would be exposed would always be just 3-4 knobs with the most relevant parameters working WYSIWYG style (and again with another 3 way toggle to select different models quickly).

Seriously, a 4 channel amp with individual boost (gain and level) per channel, 2 mod FX, 2 delays and one reverb would very likely take me through each and every gig I could ever imagine (unless it's some deep soundscapery thing required, but for those puposes you'd be using other things anyway).

In the end, you'd have 100% analog style "editing" (unless you wanted to go deeper and do custom things - but even in that case, once it comes to playing, everything would be 100% analog style) with all the advances of digital, such as being able to go direct, play at any volume, use the same thing for recording, have independent levels for FOH and your monitor/cab, etc.
Such an amp could as well be used for literally any gig, as the editing software would allow you to preload each channel with whatever the style you're into required.
Really, in the end it'd be a pretty capable modeler, just that it could be operated as quickly as an all analog setup and would allow people not into *any* kind of menu diving to use the thing as well. Do a careful factory preselection of amps (3 amps per each channel) and you might find some folks never even wanting to touch the accompanying editor.

Obviously, there should be an accompanying floor controller that should be dead easy to configure on the unit (allowing you to switch to any status on any switch but also allowing for a hybrid or plain manual switching mode). Should have a dual function pedal option as well (typically wah/volume) so you wouldn't need to have any sound running off the board and the board should be mountable to the back of the top or combo, so your entire rig would really be a one-single-device affair (unless you wanted an external cab of your choice).

I'm absolutely not sure whether such a thing would be a success, but so far we simply can't know because nothing even remotely like it exists.
Realistically, *if* such a thing existed, for, say, 1.5-2k, it could even be an almost instant buy for me. It'd be the perfect best-of-both-worlds setup for my needs.

A company such as, say, Line 6 could develop such a thing with pretty much zero R&D cost as all the technology does already exist in their current products. It'd just be a vastly different exposure.
My bad, I misunderstood your post. Kemper is probably closest to that, but most other digital makers have moved to rack or floor units with no poweramps. Yamaha THR100HD was also good in many ways, but its fx options were more limited than the THR10.

I'd be into something like that too. Just give me a lot of knobs instead of menus.
 
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