View attachment 19076
That is my 4-cable-method template. With each block having its own settings in channel A, B, C, and D.
tree fiddyHow much did you pay for it?
Just curious how you know this?some truly awful sounding patches
You got took!tree fiddy
Did he pay you to make new presets?A client and good friend of my shop bought one of the more expensive packs, and was rightly pissed at how bad they were. He brought his Helix in, and basically had me redo what he wanted for his setlist, since the paid presets were not good.
I mean, people can like what they like; it’s all subjective. But just because it’s a “big name in presets” doesn’t mean it’s a slamdunk for being happy with the tones. That’s all.
It makes more sense this way if the client is there to test.Normally they do, but not this particular person. This was actually the start of a string of paid work though, which was cool. Word of mouth and all.
But doesn't it make you sad that they're paying someone to twist the knobs when Leon has showed them how?And to tell you exactly what they want. I’ve found that people typically don’t need dozens of patches for a gig. They need a handful of great ones.
And it's more than about the money imo -- like you said it's being there in the flesh making decisions that are more purposefully driven.You don't see the difference? I get what you're getting at, and yeah it'd be better for them to just learn it themselves, but there's a big difference between a $99 bundle of shit, and actually being there in the flesh, getting exactly what they want.
My experience with teaching has been that some people really don't want to know how to find the answer to a question; instead, they want you to just tell them the answer and will even get offended at your efforts to convey real, useful knowledge to them. FWIW, I am deeply skeptical of any assertions about how a piece of gear sounds when it's being made by someone who uses storebought presets.The other significant difference is I show them how it all works too. Teach a man to fish, and all.
You don't see the difference? I get what you're getting at, and yeah it'd be better for them to just learn it themselves, but there's a big difference between a $99 bundle of shit, and actually being there in the flesh, getting exactly what they want.
EDIT
The other significant difference is I show them how it all works too. Teach a man to fish, and all.
Come on, guy. Leon Todd showed you how to do it. HE SHOWED YOU.
That’s pretty much every musical instrument that doesn’t include its own speakers and power amp thoughIf you’re amplifying it with anything other than what the patch was created on it’s already a lottery as to whether it is any use. Make your own and definitely don’t buy any.
No but it also means other people’s presets are bs.That’s pretty much every musical instrument that doesn’t include its own speakers and power amp though
That’s pretty much why paid presets don’t make any sense to me.
Absolutely! Even free ones.Yup. It's not factoring in the greatest difference makers that change with
every person---and that is the method of monitoring and power. One
could also viably suggest that the room matters, too, and how all that
can generate more or less low end, brightness, mud, or mayhem.
Then start factoring in pickups and their differences in output and how
hard (or not hard!) they hit the front end of any of our devices and I can't
fathom how someone building presets with their rig would ever work for
me and my situation.
We don't live in the confines of a universal constant. Variables are variable
and can make ALL the difference in the world.
Isn't it the compressor block in that preset? I thought this mystery was solved but maybe I am misremeberingAbsolutely! Even free ones.
I'm convinced the JP Rig preset clips. I discovered it in one of the clean scenes, and I'm using the same exact guitar it was created with, into headphones. And it's NOT the phones doing the clipping.