Sascha Franck
Rock Star
- Messages
- 6,170
I can count many dozens of things that were specifically lifted from Helix
Ok, possibly got you wrong then.
So, what would be your, say, top 3 or top 5 of those?
I can count many dozens of things that were specifically lifted from Helix
I only didn't buy one of those coz I didn't want to lose your respect.Not sure what this means.
I can count many dozens of things that were specifically lifted from Helix that have nothing to do with rounded squares and grids, yet any time someone mentions shameless copying, contrarians fall back onto... rounded squares and grids. It's like when B€#®!n&€® unveiled their MonoPoly (not Mono/Poly! See, it's different, there's no slash!) and any critique was met with "Ohhhh, they both have keys and knobs. Big deal."
It's not about the keys and knobs. It's not about the rounded squares and grids. It's the many dozens of other things that collectively could never have organically manifested themselves without the active, blatant direction of "just copy howKorgLine 6 did it."
Basically, it's Diet B€#®!n&€®.
Ever used a pedalboard??Seriously, apart from possibly using some arabic or asian nomenclature (signal flow from right to left)
Ever used a pedalboard??
Ever read Japanese to a little girl who hates you and wants to kick you in the nuts?as we're westerners, we're reading from left to right,
Ever read Japanese to a little girl who hates you and wants to kick you in the nuts?
No, it's really fucking haaarrrddddd. Even these dumb kids books with like "billy lives on a roof" or "Ted sleeps on the beach like a trampy hobo covered in doo-doo" ... super hard in Japanese.You think that'd help?
And M13.And fwiw, Zoom and TC are allowing you to have that analog signal flow represented in their MFX pedals (as in L->R or R->L being a global preference).
No, it's really f*****g haaarrrddddd. Even these dumb kids books with like "billy lives on a roof" or "Ted sleeps on the beach like a trampy hobo covered in doo-doo" ... super hard in Japanese.
And M13.
There's no denying that (much of) the QC interface looks a lot like HX. I'm sure it's frustrating to watch NDSP do victory laps for "their" aesthetic choices. On the other hand, I don't know how anyone could ever "unsee" the HX UI and how much common sense it makes. In many regards, you'd have to intentionally muck up the UX to differentiate a new one from HX. (And by the way, in some regards, they did LOL.)It's not about the keys and knobs. It's not about the rounded squares and grids. It's the many dozens of other things that collectively could never have organically manifested themselves without the active, blatant direction of "just copy howKorgLine 6 did it."
What's a 'Bellend?"
What's a 'Bellend?"
What's a 'Bellend?"
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