0XI0
Roadie
- Messages
- 458
Jubilee would be good. But not before adding bright caps to the amps that don’t have them
can't break old presets, they got to do a whole new amp for that. but is OK, it getting better every time long time
Jubilee would be good. But not before adding bright caps to the amps that don’t have them
surely putting a switch that defaults to off/original wouldn’t bork anything?can't break old presets, they got to do a whole new amp for that. but is OK, it getting better every time long time
surely putting a switch that defaults to off/original wouldn’t bork anything?
Or shuffle the legacy stuff around. Line 6 has some killer amps in their collection, just too many amps in there that have had the snip
EDIT: and in the case of the Shiva, it’s just a better amp with a bright cap. IMO the revision Line 6 have is the worst sounding revision of that amp
too much faff to approximate an imaginary circuit. These modelling companies have developed their shit over years to make stuff like this trivial and accuratewell, yes, but if they were all still fertile, you couldn't use half the boost options available with gain below 10 o'clock. but if they're all snipped, and you want that asses of destruction tone, just pop a little tilt eq before the amp a bass go bye bye. line 6 like to make a lot of sense
too much faff to approximate an imaginary circuit. These modelling companies have developed their shit over years to make stuff like this trivial and accurate
Not that the Brit Plexi model sounds bad but it would definitely be nice to have 1959HW, 1987X models as well. Brit J45 doesn't have a bright cap either if I'm not wrong. The only model that has a bright cap must be Brit Trem.Jubilee would be good. But not before adding bright caps to the amps that don’t have them
Absolutely, I know what my preferred micing pattern is, I just want to flip through the cabs.And please add an option to lock mic and mic position/parameters when changing cabs. Would make it so much easier to compare cabs.
As far as I'm aware, every "component" that Line 6 adds to their models increases the DSP usage, whether it is in use or not, because the DSP allocation is based on the maximum amount that the model *could* use.surely putting a switch that defaults to off/original wouldn’t bork anything?
Not that the Brit Plexi model sounds bad but it would definitely be nice to have 1959HW, 1987X models as well. Brit J45 doesn't have a bright cap either if I'm not wrong. The only model that has a bright cap must be Brit Trem.
Your comparison video between Brit Plexi and your Super Bass with Adam Jones mods is quite good. I've always wanted to ask though. Does it lack a bright cap as well?
The Line 6 1968 Superlead is somewhere in between. There is no bright cap strapped to the bright volume pot. The bright channel does have the .0022uf coupling cap and the 560pf high shelf cap strapped to the 470k channel mixing resistor. The cathodes are also separated, but both channels have 820 ohm cathode resistors as opposed to a 2.7k on the bright channel.
So, the Line 6 owned 1968 Model 1959 Superlead Plexi is definitely weird. I have no idea if it was a transition model, if it was an older unit that was half modded into the later circuit, or if it's something else entirely. I won't know for sure until the shelter in place band is lifted and I can go into the office and take the amp apart.
I guess the best solution would be to take advantage of a legacy folder. Assuming the HX line continues to receive development, there's definitely more than a few amps that would benefit from "remastering". I suppose having the older versions as "legacy" would mean there is a low DSP option for those that need it, and updated ones can have a little more in the way of mods and switches. Maybe.As far as I'm aware, every "component" that Line 6 adds to their models increases the DSP usage, whether it is in use or not, because the DSP allocation is based on the maximum amount that the model *could* use.
A switchable bright cap probably wouldn't consume very much DSP at all, but I can't see Line 6 adding one to existing models unless they can find a way to further optimise those models to bring the DSP allocation below the current level.
I would be surprised if they're not. They take good care of their current products but they must have an eye on the future.I have a question for you fellow helix/hx owners, do you think L6 are withholding innvoations for their next flagship?
I’d imagine most/all new features wouldn’t be possible on the current gen and things that can be ported across willI have a question for you fellow helix/hx owners, do you think L6 are withholding innvoations for their next flagship?
I love Line 6 products (the good ones) and I am ready to buy their next flagship on a whim because I know they gathered enough information to leave the copycats in the dust.
I'm conflicted on this. I've had great fun playing with the Helix for years, and yet every time I plug into Archetype Plini or Neural Amp Modeler I'm amazed at how easily the tones come compared to my constant tweaking in the Helix. I'm also a kitchen sink preset and ambient/P&W player, so I like my big washy sounds and extensive stacked effects, and the Helix does this as good as any of the competition, especially with parameter assignments and snapshots. I just wish the amp models just sang a bit easier like they do on some other products.I have a question for you fellow helix/hx owners, do you think L6 are withholding innvoations for their next flagship?
I love Line 6 products (the good ones) and I am ready to buy their next flagship on a whim because I know they gathered enough information to leave the copycats in the dust.
This is an area that i think they should take seriously. Regarding that, the only thing they’ve made that somewhat appeals to that is the Pod Express. Many have said it in reviews. There’s no denying it.how easily the tones come compared to my constant tweaking in the Helix.