The Jumped channel of the MatchlessI really think if anything, for amps of this style; they should add that 2nd channel that FAS forum dude has been begging for for years. Throw the guy a bone
Tbh, between the Matchbox DC30, AC30 Brilliant and AC20 models I'm good on Voxy tones, they're all killer.
What would they give you that the current ac15s or 30 or boutique ac30s don’t though? What’s the sound you can’t get? I’m not being difficult, I’m genuinely curious. I thought those sounds were really well covered already.
Boutique stuff is usually trying to sound like a great vintage amp, and we’ve got quite a pile of those right now plus a few boutiques. The swart atomic, a Gibson scout, the maz, quite a few small watt fenders. Just curious what you can’t get from those, seems like they would cover that spectrum pretty thoroughly.
D
Think of the difference between an AC30 and a DC30 and that’s sort of an example of the idea. Amps like Matchless and Bad Cat tend to take that core concept of the Vox circuit and tweak it a bit, add some higher quality components, bigger output transformers, etc. they usually have more depth to their tone, more harmonic character, tighter and deeper bass response, and extended high end compared to a Vox.
By the way though I don’t like the DC30 model in the Fractal, it doesn’t sound right to me. I played an early Black Cat for years that was basically just a rebranded HC30 (the internal parts were labeled Matchless) and the Fractal model to me sounds darker than I would expect and a bit too smooth. It’s missing the high end quality I expect to hear in a Matchless
Tbh, between the Matchbox DC30, AC30 Brilliant and AC20 models I'm good on Voxy tones, they're all killer.
I get it, but when you describe a small wattage amp with bigger output transformers, deeper and tighter bass, extended high end, etc - you’re just describing the changes that typically come with going to a higher wattage amp which we already have buckets of. I’m not trying to be obstinate here I just don’t see what we would gain with such a model.
More is more though, I’ll gladly give it a spin should they add one. Maybe I’ll find that it really did offer something I’d use that I can’t get with the other models.
D
See what I just posted above.
You could also easily flip this and say why do we need more than just one Marshall? Why do we need both a Plexi and a 1987? Why do we need a Mark ii and a Mark iv? Why do we need a Carr when we’ve got a Deluxe Reverb? Why do we need another high gain modern amp when we’ve already have one?
And so on…
Different flavors bring different things to the table for different tastes.
Why doesn’t the Fractal just have 4 amp models and nothing else:
Clean amp
Overdrive amp
Distortion amp
Bass amp
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I’m not arguing that, I agree with you.
I was asking what you are looking for that you can’t get with the available models. I’ve always been a fan of bigger amps with a few notable exceptions in the small amp world. I was curious what you’re looking for that isn’t in there, and I still haven’t understood what it is. It’s fine you don’t owe me an explanation, I was just looking to learn something from the perspective of someone who really likes small amps.
D
I get it, but when you describe a small wattage amp with bigger output transformers, deeper and tighter bass, extended high end, etc - you’re just describing the changes that typically come with going to a higher wattage amp which we already have buckets of.
I will cry tears of joy the day Cliff adds that Ares-era HBE C45 back into the FAS-verse.that original tweaked HBE that everyone loved
That guy has waited a bit too
I should have been more specific answering this part of your comment:
It’s actually much different than what you get with going to a higher wattage. The feel is very different from a high wattage amp, it’s still got that sag and compression, and richer harmonic swirl and character, that you get from a lower wattage amp.
An AC15 has a more raw and open sound to it than an AC30. The same is usually true for 15 watt amps compared to 30 watt
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That was my thought regarding the Megalith Delta. Not using it in front of an amp model but to use in front of an actual tube amp.It almost seems silly to include high gain pedals with so many high gain amp offerings, but for this particular application of running into the front end of an amp, I definitely wouldn't mind a 5150 pedal tossed in there!