I think the main plus for the ME-90 over a Pod Go is the price; it's undercutting it by $150.
At $350 (US) i don't think there's a lot of gear out there matching the ME-90 for value, to be honest.
no product designer on the planet is going to think a product with per-encoder LED rings or scribble strips is more WYSIWYG than a simple digital delay pedal with non-volatile memory
Ampero 2 Stomp at $380 is a beast too, especially if you like Plexis.The MX5 is a pretty good value @399 but IMO it lacks sorely in delay and reverb quality. For me to say that, you know it's bad because I am not picky about either effect.
As long as the latter isn't programmable, no.
But the ME 90 is programmable, so any WYSIWYG goes outta the window as soon as you make use of that programmability.
Seriously, I wish someone would finally come up with something like lotsa knobs with LED rings.
Fwiw, that's one thing where the VAmp was majorly winning over anything else at that time. Same goes for the BCR2000. And yes, pretty much genuine Behringer designs.
When speaking within the confines of hardware product/UI design (which is what I was doing), WYSIWYG is not necessarily related to programmability nor does it dictate that a physical knob's indicator must always point to its current state. In hardware, it deals with parameter mapping to dedicated tactile controls as opposed to menu diving. In software, it deals with the ability to enter data directly into a GUI that reflects the final interface; like Adobe Dreamweaver (or Microsoft Word, Apple Pages, Atlassian Confluence, etc.) vs. HTML.As long as the latter isn't programmable, no.
But the ME 90 is programmable, so any WYSIWYG goes outta the window as soon as you make use of that programmability.
Within the guitar processor space, sure. But the LED collar design was lifted from Mackie (HUI and Digital 8•Bus), like so many of their early "designs."Fwiw, that's one thing where the VAmp was majorly winning over anything else at that time. Same goes for the BCR2000. And yes, pretty much genuine Behringer designs.
When speaking within the confines of hardware product/UI design (which is what I was doing), WYSIWYG is not necessarily related to programmability nor does it dictate that a physical knob's indicator must always point to its current state. In hardware, it deals with parameter mapping to dedicated tactile controls as opposed to menu diving. In software, it deals with the ability to enter data directly into a GUI that reflects the final interface; like Adobe Dreamweaver (or Microsoft Word, Apple Pages, Atlassian Confluence, etc.) vs. HTML.
I have no interest in Sascha Franck's definition of WYSIWYG; only what experienced product and UI designers understand WYSIWYG to be.
Within the guitar processor space, sure. But the LED collar design was lifted from Mackie (HUI and Digital 8•Bus), like so many of their early "designs."
Even so, B£#®!n&£® doesn't get a pass for their relatively few "genuine" designs when their empire was built on (and continues to be built on) blatant, unapologetic Xeroxing of other companies' real designs and trade dress.
I have no interest in Sascha Franck's definition of WYSIWYG; only what experienced product and UI designers understand WYSIWYG to be.
Sascha, you want to clarify?
even in preset mode there is some wysiwyg. You can see which effect groupings (comp/od/mod/delay/etc) are on/offNo need to clarify as I never said the ME 90 was fully WYSIWYG.
No it isn’t!!! (Oh, and just fyi, my definition of wysiwyg is “what you see is white, yellow, and green”)even in preset mode there is some wysiwyg. You can see which effect groupings (comp/od/mod/delay/etc) are on/off
even in preset mode there is some wysiwyg. You can see which effect groupings (comp/od/mod/delay/etc) are on/off
So I don't get your argument. You are now saying there is some WYSIWYG in both manual and preset mode. Yet you're also providing conflicting definitions on the term.Some. Yeah.
With all my gear what I get is ultimately much more than what I see.
At first I just see bliss. Then what I get is bliss and frustration. Then I get even more bliss than I ever anticipated. Then I get bored. Then I get the surprise of rekindled love. Then I get 10-50% of my money back when I sell it to get something else. That’s a lot of getting.
I just wanted to pop here and note for anyone legitimately interested in this product, there's a Netflix documentary you also will probably be very interested in:
CC DeVilleWho is that guy?
I'm not sure I could imagine a more perfect Saturday night circa 1991 than CC DeVille as a contestant on American Gladiators, a bag of Chex mix, a 64 ounce cup of Mountain Dew, and a Musician's Friend catalog pining away for a Boss BE-5 while waiting for Headbanger's Ball to start up....CC DeVille
So for example, WYSIWYG means that there's dedicated Bass, Mid, and Treble knobs, not that those BMT knobs show the correct values...? Huh.When speaking within the confines of hardware product/UI design (which is what I was doing), WYSIWYG is not necessarily related to programmability nor does it dictate that a physical knob's indicator must always point to its current state. In hardware, it deals with parameter mapping to dedicated tactile controls as opposed to menu diving. In software, it deals with the ability to enter data directly into a GUI that reflects the final interface; like Adobe Dreamweaver (or Microsoft Word, Apple Pages, Atlassian Confluence, etc.) vs. HTML.