Can someone explain to me please what the graph represents and why product “F” is worse?
It’s a graph of how loud aliasing noise is relative to a given input. At the right of the graph, centered around 10kHz, you can see a rectangular peak. That is the output from an input waveform, also centered around 10kHz.. If you look closely, you can see that both plot traces have the same level there.Can someone explain to me please what the graph represents and why product “F” is worse?
Wondering what unit could that be, and is it a pro unit or not. Guess we'll never know.The other unit, unfortunately, has pretty significant and likely audible aliasing.
Can someone explain to me please what the graph represents and why product “F” is worse?
It’s a graph of how loud aliasing noise is relative to a given input. At the right of the graph, centered around 10kHz, you can see a rectangular peak. That is the output from an input waveform, also centered around 10kHz.. …
There are some good tones in there for sure The Freidman HBE was stellar I also thought the 800 and Silver Jub were great as was the 5153 , if your not a huge fx guy you can get by the delays and verbs are more than decentBorrowed a QC from my friend again because of the OP video comparison.
So you have proved that at your chosen particular setting, in a blind test, it’s difficult or impossible for people to tell the difference between them. How is that relevant to guitarists who play these models at home, feeling the interaction and working at different amp settings? To me this type of video is really just helpful as a copout for organisations who would rather not bother to investigate the problem in more detail and fix the issue for their customers.
Fender have already said they're going to investigate it, so what are you talking about???So you have proved that at your chosen particular setting, in a blind test, it’s difficult or impossible for people to tell the difference between them. How is that relevant to guitarists who play these models at home, feeling the interaction and working at different amp settings? To me this type of video is really just helpful as a copout for organisations who would rather not bother to investigate the problem in more detail and fix the issue for their customers.
with more gain there is more signal going into the tone stack and it has more effect. It’s why going from a 1959->JCM 800->JCM800 with a hot mod progressively makes the tone stack go from doing very little to being a lot more responsive, even though they all use the same tonestack values.Fwiw, most of the controls on a JCM800 react much more subtly than on some more modern amps. So what may seem like a very drastic move is probably much more subtle to the ear than you might think. Also, amp controls are there to be used.