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Shredder
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Or PodGo and HXFX (ducks)Apparently Moore’s Law doesn’t apply to Kemper….
Or PodGo and HXFX (ducks)Apparently Moore’s Law doesn’t apply to Kemper….
This is something we spend a lot of time studying. Its crazy but for most people, under 13msec round trip latency feels "ok " when using a computer. Note I say "most" there are many many many like you who are much more sensitive. I will happily record all day long around a 11ms RTL.So, it's not even remotely about timing superiority or whatever, but there's something that I call "latency threshold". Might be a completely different value for different persons. It's also not that I couldn't just get away with, say, 9ms of total latency (or even more), especially when not playing through headphones. It's just that there seems to be a certain latency range that causes something to change in our perception, whatever it might be. Could be as trivial as our timing reference to switch between from what comes out of the cans to what your picking fingers feel. No idea. But I could confirm my findings with some colleagues. Interestingly enough, even if at least 1-2 of them are "in the pocket" monsters, their latency threshold seemed to be located a few ms above.
As far as I know you may not need a device but you need a version of Tonex that can do captures, not just play themThis is surely a known thing, but do you still need the capture device if you’re capturing Fractal/Kemper/plug-in tones? I don’t even want to do deal with searching for what I want to put in the pedal, I just want to capture my own sh*t and load it up.
So their cost of materials has been static for what? A decade? LOL. And there's been no advancement in any of the components used they could take advantage of to reduce part cost, count, etc? They must operate in a different dimension.Kemper has stated that for them to produce such a device the cost would basically equal that of the full profiler, as omitting a few components doesn't really add up to much.
Interesting point. That makes some intuitive sense...But then we also found that there is a sort of expectation threshold, if you add even a small amount of latency (2-4ms) to a system someone was previously familiar with, they notice. I think this one is big for modellers and people used to hooking straight from the guitar to the speakers, with very little latency inducing devices in between
They manufacture it themselves. I imagine their margin is VERY high and they have no problem selling as is.So their cost of materials has been static for what? A decade? LOL. And there's been no advancement in any of the components used they could take advantage of to reduce part cost, count, etc? They must operate in a different dimension.
I'd guess in truth they are just not willing to invest further R&D for a lower margin but higher volume type of product.
I have yet to see a long enough study that checks if this effect goes away. "in my experience" (the worst thing to hear ever), while I notice the latency when I turn on the Mooer pitch pedal, if we stay in half step down for a few songs at practice, it no longer bugs meInteresting point. That makes some intuitive sense...
IIRC, one of the studies I saw a while back had noted that people were pretty adaptable wrt to latency as well.
So, I wonder with those two pirnciples at play, if most users could learn to tolerate (essentially teach themselves to stop noticing) the additional latency if that configuration became their new goto after adding the additional latency or if for most it would just be a deal breaker and something they never get past.
A modeler and a power amp is my "real amp", for the most part, so when I have profile/ capture-based device, I wind up dumpster diving through everyone else's captures. And that's a much bigger dumpster. Blindfolded.I’d take it over an FM3 because I can capture my amps and cabs that I own and like. Modelers like the FM3 and Helix have me dumpster dive parameters and IR’s to try and get there. If this thing really can capture my amps well then this with my H90 is a no brainer.
Uh, then you might as well just use an HX Stomp.
The second a VST pedal becomes viable, I mean TRULY viable, not the Recpetor for instance, so much of these discussions goes out the window
My first ban on TGP came from pointing out to the golden eared latency purists, that the minimum RTL they were getting by playing thru their iPads was around 20ms, while they extolled the virtues of no latency on that system
A floorboard with a Steamdeck-style touchscreen that runs a custom overlay on-top of an optimized Windows install, with top notch IO.
No, it's not. A laptop plus interface is two moving parts and a cabled device.That's, well, a laptop. There's good reason why people don't gig those
No, it's not. A laptop plus interface is two moving parts and a cabled device.
...and a general purpose computer connected to them.
Anyone who had a laptop anywhere near a live performance (f.ex. for stem management) will have a good couple of horror stories to share.
I have a little personal experience from this...Interesting point. That makes some intuitive sense...
IIRC, one of the studies I saw a while back had noted that people were pretty adaptable wrt to latency as well.
So, I wonder with those two pirnciples at play, if most users could learn to tolerate (essentially teach themselves to stop noticing) the additional latency if that configuration became their new goto after adding the additional latency or if for most it would just be a deal breaker and something they never get past.
This sounds pretty darn good for a free Badcat capture
If this is the true Kemper killer in a compact size for under $1k we've all been waiting for, this will sell. This is going to be huge if so.This is a loader for IK's ToneX amp profiling tech. From what i've heard so far, it's up there with QC/Kemper - if not slightly better.