Boudoir Guitar
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And overselling the importance of tone in general.As absolutely amazing as Sayce is, and I’m sure the engineer knows what he’s doing, I think you’re overselling the skill required in getting a great tone.
And overselling the importance of tone in general.As absolutely amazing as Sayce is, and I’m sure the engineer knows what he’s doing, I think you’re overselling the skill required in getting a great tone.
Yeah, wouldn't be my go-to either, but Sayce makes it work, and his playing is the more interesting factor of the video.And fwiw, the tones in the Sayce video are too harsh for my taste, just listened to it again with headphones and it's been quite an earpiercing experience.
I'd bring your high cut to 8 or 9Khz, and then perhaps come up a little higher on your low cut, depending on how boomy your tone is (and your preference, of course).After 13 pages of reading I decided to trust you guys and then 'trust my ears' and try a take on making a cab.
With the Super Reverb, I have the 4x12 Greenback 20. That just shows what a cork sniffer I would be outside of the digital realm. A cab with a pricetag of 3000.. damn From Googling afterwards, it's a Marshall 4x12 basketwave.
I don't know what the F i'm doing but listening to the mic placement uncle larry video, i came to this.
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I'd bring your high cut to 8 or 9Khz
I'd bring your high cut to 8 or 9Khz, and then perhaps come up a little higher on your low cut, depending on how boomy your tone is (and your preference, of course).
Shouldn't be required with that cab, it's rather dark by default already.
There’s your answer then. And I agree with Sascha, that particular cab probably doesn’t need much of a high cut.I liked it better with low cut and high cut off
That’s just awesome! Volvo machines rules!!! It’s actually kinda normal to do school trips to visit Volvo factories here in Sweden… back in the 80-90’s…
That’s just awesome! Volvo machines rules!!! It’s actually kinda normal to do school trips to visit Volvo factories here in Sweden… back in the 80-90’s…
maybe not now….
I don’t know…
Ok… something cool just became… pffft
Sorry… I’ll see myself out.
There's a surprise: A Swede rambling about how great Volvo is...That’s just awesome! Volvo machines rules!!! It’s actually kinda normal to do school trips to visit Volvo factories here in Sweden… back in the 80-90’s…
maybe not now….
I don’t know…
Ok… something cool just became… pffft
Sorry… I’ll see myself out.
And all I can think about for the rest of the day is "Well I heard about the fella you been dancing with - all over the neighborhood..."The Sayce vid reminds me of this... If you saw him play through a peavey bandit for 15mins you'd be ok with paying the stores RRP.
World class muso's will sound great on anything and will also shine on well dialled in gear.
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I'm a bitter Dane who's just jealous that we as a nation haven't left a lasting mark on the industry.
True. But I was referring to automotive industry specifically, not Danish innovation in general. Otherwise, @the swede will just throw the all-ending argument that is Ikea.Dude! Hot Dogs!
And maybe Lego. But digesting it is not as easy.
But I was referring to automotive industry specifically,
Isn’t there a relationship between not trusting one’s ears and having infinite options though?I re-read my OP last night and could see how it turned out that way as a result of how I ended the post. More my fault for not sticking straight to the lack of trusting one’s own ears as I brought up the option aspect myself. Just took me a while to figure out where to jump back in.![]()
Honestly, I'm so used to it now that it takes me about 20-30minutes to position three mics and get the rough colours I want; I want a bright fizzy mic, a smoother but still bright mic, and occasionally I might want something darker, in order to mix all three together and get a full sound.Micing amps in the studio is largely a battle of attrition if we’re being honest. Rarely are we spending hours nudging the mic into the perfect position, rotating out amps and cabs until everything is perfect, etc.
Fair, but your average guitarist isn’t usually that astute when it comes to mics, phase relationships, etc. many of us here wear dual guitarist/engineer hats.Honestly, I'm so used to it now that it takes me about 20-30minutes to position three mics and get the rough colours I want; I want a bright fizzy mic, a smoother but still bright mic, and occasionally I might want something darker, in order to mix all three together and get a full sound.
If it is taking me an hour to position a mic, then I'm using the wrong mic, the wrong speaker, or the wrong amp.