The Digital Doubt

Okay but but but a 3000 guitar should be way way better, right ?

My current main kinda strat-alike live guitar is an indonesian Schecter Nick Johnston that I bought 2nd hand for 600 Euros (ok, I exchanged 2 pickups and also replaced the tremolo, still well under 900), sort of replaced a Tom Anderson semi hollow drop top, which would cost around 5k Euros today. The Schecter also became my main go-to guitar for pretty much anything.
 
How this a gear forum talking people out of getting new gear

stand disagree GIF
 
Worst gig I ever played was as a drummer when I didn’t bring a rug and the stage was slippery, so all my gear went sliding around constantly. Nothing worse.

Also last year I saw a show where the pedalboard went down for a national act and the whole thing came to a stop for 20 minutes. Clearly they didn’t have a backup plan. So something as simple as a FlyRig for emergencies is a good idea.
 
So something as simple as a FlyRig for emergencies is a good idea.

Fwiw, triple redundancy straight on my board (Stomp, GT-1000, MS-50 - even if I'd rather not want to ever use the latter...), additional backup via Amplifirebox always slapped somewhere into a bag.
 
I think this vid kind of sums up a lot of things. Sayce has committed himself to a way of playing where it really doesn't matter so much where he's getting his tone, but more that the tone has certain characteristics he can dig into. There's no timidness, no holding back, just playing. The gear becomes somewhat secondary at that point, because you're bending it to your will -- not the other way around. Dialing in a preset or amp is easier once you're comfortable with what you do as a player.

Finally got the time to listen to it through my home system.

There is one thing very different than how most people will experience a modeler. Most don’t have a sound engineer next to them dialing in a tone so close that it becomes like a real amp.
 
Finally got the time to listen to it through my home system.

There is one thing very different than how most people will experience a modeler. Most don’t have a sound engineer next to them dialing in a tone so close that it becomes like a real amp.
True, but I'm positive Sayce could do it himself.
 
My 3 cents for every endeavour in life:

1) People who want excuses and reasons to not do will always find them. Always. 100%.

We make most of our own obstacles in our minds.

2) No one external to us can ever motivate us to do the legwork necessary to build actual experience.

We all earn our own stripes in this world. Or don't.

3) Those who are passionate and want to do, and learn, will always find a way to work around any seeming obstacle in their path.
 
The thing for me is for quite a while I confused my need to tweak with having too much options. I would think "it sounds fine, but because there's so much stuff I keep always thinking there's room for improvement". As time went by I realized the real problem wasn't the options, but the fact I didn't really like any of them.

When I had half a dozen amps and quite a few pedals I could just get lost in a single tone after a few knob turns and a couple of hours would pass by. I lost that. Thinking more clearly I started looking for a solution, and it was the UA pedals gave it back to me. Now I have 3, soon 4 hopefully, and I could spend quite a while with a single tone from any of them.
 
Interesting.

And it’s also skill probably. I probably like on of the drives, but whenever I put them in front of an amp:
1. I dislike the hisssss that comes from it
2. I have no idea how to manipulate the tones with the fingers and the effects in Helix
 
There is one thing very different than how most people will experience a modeler. Most don’t have a sound engineer next to them dialing in a tone so close that it becomes like a real amp.
You don't need a sound engineer to dial in a great tone these days. I can easily dial something in I am really happy with on Fractal or Helix, without using even an existing preset. Amp block. Cab block. Nothing more.
 
Interesting.

And it’s also skill probably. I probably like on of the drives, but whenever I put them in front of an amp:
1. I dislike the hisssss that comes from it
2. I have no idea how to manipulate the tones with the fingers and the effects in Helix

I'd suggest building a basic and classic rig. For example, a TS808 into a JCM800, an appropriate IR that you know you already like, and a bit of room reverb mixed at 10% or so. Once you've built that, spend some time with it and see what you can get out of it.
 
You don't need a sound engineer to dial in a great tone these days. I can easily dial something in I am really happy with on Fractal or Helix, without using even an existing preset. Amp block. Cab block. Nothing more.

It seems like the sayce + killer sound engineer will be a way sicker result than I would ever get out of my helix. And that’s no diss to helix.
 
I'd suggest building a basic and classic rig. For example, a TS808 into a JCM800, an appropriate IR that you know you already like, and a bit of room reverb mixed at 10% or so. Once you've built that, spend some time with it and see what you can get out of it.

Thanks man, I am more into the fender amps. So I should get a TS to work but it just never gets the sound. But tone is in the fingers. It’s not the gear.
 
It seems like the sayce + killer sound engineer will be a way sicker result than I would ever get out of my helix. And that’s no diss to helix.
Sayce + my 13 year old that has never used a plugin, hates guitar, and loud noises in general, will be infinitely sicker than you. Get over it.

You don’t like the hiss of gain? It’s way worse with actual pedals and amps and harder to gate out.
 
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