megametal7
Roadie
- Messages
- 609
My current lay out.
SHOW OFF YOUR PEDALBOARD!
- Thread starter Jordon18
- Start date
L
likitlikeyoulikeit
Guest
So I blew my board up trying to organize and trouble shoot, and changed power tubes in my amp......
Decided to remove the mx5 from the whole deal ....and I'm not mad at all. I think I'm done with that thing. I can coax modulation from my delay ...with a clever trick, so I really don't need anything else.
Not sure if it was removing the mx5 from the equation, or if the tubes made a difference. ( I swapped back to stock 6l6s a while back.....ran el34s for about 10 years before that....so I went back.)
Honestly, this thing sounds way better now...and extremely responsive again.....and way louder ..not sure what happened with all beautiful my sounds......well it's back now.
Wah, Drives and Synth in front, eq, delay and reverb in loop. Decimator doing double duty of course!
I even swapped my brigade(ts+Timmy) for my KOT clone again.....love that thing.
Well there's that. Keep rocking!!!!
Decided to remove the mx5 from the whole deal ....and I'm not mad at all. I think I'm done with that thing. I can coax modulation from my delay ...with a clever trick, so I really don't need anything else.
Not sure if it was removing the mx5 from the equation, or if the tubes made a difference. ( I swapped back to stock 6l6s a while back.....ran el34s for about 10 years before that....so I went back.)
Honestly, this thing sounds way better now...and extremely responsive again.....and way louder ..not sure what happened with all beautiful my sounds......well it's back now.
Wah, Drives and Synth in front, eq, delay and reverb in loop. Decimator doing double duty of course!
I even swapped my brigade(ts+Timmy) for my KOT clone again.....love that thing.
Well there's that. Keep rocking!!!!
maguchi
Roadie
- Messages
- 423
MX5? Mazda or Headrush?So I blew my board up trying to organize and trouble shoot, and changed power tubes in my amp......
Decided to remove the mx5 from the whole deal ....and I'm not mad at all. I think I'm done with that thing. I can coax modulation from my delay ...with a clever trick, so I really don't need anything else.
Not sure if it was removing the mx5 from the equation, or if the tubes made a difference. ( I swapped back to stock 6l6s a while back.....ran el34s for about 10 years before that....so I went back.)
Honestly, this thing sounds way better now...and extremely responsive again.....and way louder ..not sure what happened with all beautiful my sounds......well it's back now.
View attachment 30852
Wah, Drives and Synth in front, eq, delay and reverb in loop. Decimator doing double duty of course!
I even swapped my brigade(ts+Timmy) for my KOT clone again.....love that thing.
Well there's that. Keep rocking!!!!
L
likitlikeyoulikeit
Guest
Headrush.....can't fit a Miata on my board.....no matter how hard I try.
L
likitlikeyoulikeit
Guest
Hands down best sports car ever made...for the regular person.
Someoldqueenorother
Groupie
- Messages
- 39
And then when you give it to people who race things, it becomes even better. MX-5 Cup racing is the best.
L
likitlikeyoulikeit
Guest
Nice looker.....I'm too big for a mx5/Miata....
But I would get the coupe, not the convertible...but I'm kind of like that. I needs that maximum body rigidity!
Someoldqueenorother
Groupie
- Messages
- 39
Small sports cars are the absolute shit. The MX-5 is stellar. The ultimate for me is the Lotus Elan 26R. Small, nimble, throw it around corners. Tons of fun.
L
likitlikeyoulikeit
Guest
My favorite was the BMW Z3 M Coupe.....
Piing
Shredder
- Messages
- 1,476
I love the Cthulhu Chords Generator Monster
Set a Bach Chorale chord progression, and improvise neo-classical like if you are Vinnie Moore
Set a Bach Chorale chord progression, and improvise neo-classical like if you are Vinnie Moore
Last edited:
- Messages
- 15,004
Bloody_Inferno
Roadie
- Messages
- 126
Very nice!
Love these things. I use a Roland PK5 and Keith McMillan 13 step myself. Or sometimes both...
Piing
Shredder
- Messages
- 1,476
Yes, it is a plugin. I connect the midi output of the Korg to the Axe-FX and send the MIDI to the PC via USB.Sweet!
Do you trigger the software's chord changes with the Korg MIDI Pedal?
Piing
Shredder
- Messages
- 1,476
Nice rig! Is it a progressive rock band?
the swede
Shredder
- Messages
- 2,068
Ordered some cables and boring shit from Thomman and I just couldn’t help it, but i ordered this to.
Will try it out tonight after kids boxing practice. But from what I’ve seen/heard it seems cool for the price.. yeah… it’s cheesy copying of Strymon looks. But it seems it packs a punch.
Later!
Will try it out tonight after kids boxing practice. But from what I’ve seen/heard it seems cool for the price.. yeah… it’s cheesy copying of Strymon looks. But it seems it packs a punch.
Later!
dronerstone
Shredder
- Messages
- 1,376
Nice! It's pretty good, from what I've read. I was on the brink of ordering one some time back, then decided to get separate/dedicated delay/reverb pedals instead.
the swede
Shredder
- Messages
- 2,068
I think, this is a fun pedal to add to the palette of others. Just updated its firmware and played through its settings for 5 minutes before I had to drive the kid. It’s promising. 6 very distinctly different algorithms. Very diverse. Will report back later.
the swede
Shredder
- Messages
- 2,068
Ok. I just had to velcro that fucker down because it’s a keeper. For the price, the amount of small good features is outstanding.
So. Delays are basic standards.
A analog, bbd style, dark, 40-400ms.
A tape with the typical tape modulation, can oscillate. 55-550ms.
A digital, clean delay that has a triplet or something added when repeats are increased. 80-800ms.
They sound good, easy to adjust. Tap function is brilliant, no hold to activate, just tap even if the delay is off. Tapping negates the preset time frames, so any of the delays can go up to 1,5 seconds.
Spring, does subtle spring and it does huge, in what I believe is an unrealistic way but interesting. The “drip” and initial “boing” is preserved like a fixed pre-delay but when maxing out decay the pedal just grabs the spring tail after the “boing” and send it to the moon. Very cool. Also has freeze.
Plate is very nice and lush, not too bright and not too metallic. It does a shimmer on “hold” but it’s kinda cheesy and I won’t be using that.. it’s just too much of it. But the plate is huge when maxing out the decay and level.
Hall is darker and has a rumble to it that is kinda dramatic if maxing the level. Does freeze on “hold”.
Overall I’m impressed by the reverbs, they do subtle just fine. But to my surprise they do big and huge good to, good enough for a post-rock nerd like me. I was worried about not having more controls than Level and Decay but they are very well balanced both for subtle stuff and huge stuff. The simplicity is well weighed against its features. Doesn’t matter how I turn the knobs, because everything sounds good. Also cool that they made it so maxing out the knobs has a useable sound, because then it’s easy to remember.
Other small good features: db switch -10 or -4 could be handy, parallel/serial option is very nice for such a cheap pedal. Great feature to have. Order switch is also possible. No volume drop is also nice. Level (mix) doesn’t go 100% on delay or reverb, but the max level is well thought out and is plenty.
Overall yeah, nice pedal, worth having. It’s not a Source Audio or Strymon, but it’s simple and easy to use and it’s easy to get good sounds out of it. It’s wild enough for me.
So. Delays are basic standards.
A analog, bbd style, dark, 40-400ms.
A tape with the typical tape modulation, can oscillate. 55-550ms.
A digital, clean delay that has a triplet or something added when repeats are increased. 80-800ms.
They sound good, easy to adjust. Tap function is brilliant, no hold to activate, just tap even if the delay is off. Tapping negates the preset time frames, so any of the delays can go up to 1,5 seconds.
Spring, does subtle spring and it does huge, in what I believe is an unrealistic way but interesting. The “drip” and initial “boing” is preserved like a fixed pre-delay but when maxing out decay the pedal just grabs the spring tail after the “boing” and send it to the moon. Very cool. Also has freeze.
Plate is very nice and lush, not too bright and not too metallic. It does a shimmer on “hold” but it’s kinda cheesy and I won’t be using that.. it’s just too much of it. But the plate is huge when maxing out the decay and level.
Hall is darker and has a rumble to it that is kinda dramatic if maxing the level. Does freeze on “hold”.
Overall I’m impressed by the reverbs, they do subtle just fine. But to my surprise they do big and huge good to, good enough for a post-rock nerd like me. I was worried about not having more controls than Level and Decay but they are very well balanced both for subtle stuff and huge stuff. The simplicity is well weighed against its features. Doesn’t matter how I turn the knobs, because everything sounds good. Also cool that they made it so maxing out the knobs has a useable sound, because then it’s easy to remember.
Other small good features: db switch -10 or -4 could be handy, parallel/serial option is very nice for such a cheap pedal. Great feature to have. Order switch is also possible. No volume drop is also nice. Level (mix) doesn’t go 100% on delay or reverb, but the max level is well thought out and is plenty.
Overall yeah, nice pedal, worth having. It’s not a Source Audio or Strymon, but it’s simple and easy to use and it’s easy to get good sounds out of it. It’s wild enough for me.
