JiveTurkey
Goatlord
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Now do QC reverbs
Now do QC reverbs
If we only consider the actual reverbs, it's a matter of taste really. But really really convolution is a bit cack most of the time. Very nearly all, if not all, of the IR's in Verbs are sourced from freely available ones on the internet, so you can just search openairlib and load them in your daw to see how it sounds. Maybe you'll like it!How does this thing stack up against convolution reverbs?
Verbs — Poly Effects
Your tone in amazing spaces. Verbs answers an age old question. Would your guitar sound good in the Pantheon of Rome? Or a nuclear reactor hall, a cave, a neolithic tomb, the London Palladium? The answer is yes. You have 48 presets with different captures to explore. 8 of these can be filled withwww.polyeffects.com
If we only consider the actual reverbs, it's a matter of taste really. But really really convolution is a bit cack most of the time. Very nearly all, if not all, of the IR's in Verbs are sourced from freely available ones on the internet, so you can just search openairlib and load them in your daw to see how it sounds. Maybe you'll like it!
I have a Tasty Chips integral IR verb, but it's for sale now and I grabbed a used Mercury 7 to put in my mixer send to replace it. Great algorithms just do magical things to the sound.
If we only consider the actual reverbs, it's a matter of taste really. But really really convolution is a bit cack most of the time.
so you can just search openairlib and load them in your daw to see how it sounds.
Openairlib is where nearly everything that's on the poly verbs is sourced from, that's why I mentioned it.I pretty much disagree. In case you track down some proper ones (and there's actually a lot of proper ones), they just sound like the hardware they were snagged from - as long as there's no modulations and dynamic things happening in the hardware (which rarely is the case as long as more or less "real" spaces are concerned).
Openairlib is a pretty bad source for IRs to use in a guitar-ish context. You can find churches, chapels, caves, cars and what not there. Don't get me wrong, that's all great - but no nice halls captured from great, dedicated reverb hardware, which are those working best for guitars IMO.
If you want some decent IRs, here's some 480l ones:
Or the sort of famous factory preset IRs from Samplicity:Lexicon 480L : Free Impulse Responses
In about 2004 I sat down and recorded a complete set of impulse responses from the legendary & industry standard Lexicon 480L digital reverb unit.grantnelson.co
Bricasti M7 impulse response files
Samplicity's original and highly acclaimed impulse response (IR) files from the Bricasti M7 reverb unitsamplicity.com
And in case you're lucky and the wayback machine will be working properly again, there's also these:
Obviously, there's tons more, but these could give you a decent starting point.
Apart from that, in case you like an algorithmic reverb in your DAW, unless it's dynamic and/or modulating, grabbing an IR of it is pretty much as easy as it gets (just send a dirac spike through it and use the resulting bounce).
Yeah…. no.as long as there's no modulations and dynamic things happening in the hardware (which rarely is the case as long as more or less "real" spaces are concerned).
480L is an excellent example of a HW reverb that IR’s will not do justice. The modulation of the 480L is part of its identity and sound.If you want some decent IRs, here's some 480l ones
Like all the best ones do. A couple of older ones like a PCM60 or RMX16 are time invariant so IR’s can do a reasonable job. The flip side of it being they have crusty old converters and noise which can have quite an effect on the sound.unless it's dynamic and/or modulating
Openairlib is where nearly everything that's on the poly verbs is sourced from, that's why I mentioned it.
An IR is capturing from a single point source in the stage (the speaker) to a single point (wherever the mic is). What about if you want to adjust these positions? or change the behaviour of the room? It quickly becomes infeasible with IR’s because you need so many.
Personal preference, but generally on guitars I don’t want the static nature of IR’s and it’s one of the few places I actually enjoy hearing an obvious modulation on the reverb (which can sound terrible on say piano or some vocals).And how often exactly do you need to mimic all that stuff in a guitar-ish application?
If anyone looking for reverb IR's, here's a big link with a couple thousands i've been collecting and sharing