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Same. Most of the records I like are 57 or 421, V30 speakers, and fairly centralish mic positions.The more I fiddle with IRs the more I hear that my favorite records are just an SM57 in front of the right speaker
Same. Most of the records I like are 57 or 421, V30 speakers, and fairly centralish mic positions.The more I fiddle with IRs the more I hear that my favorite records are just an SM57 in front of the right speaker
I don't get it, yesterday I thought I found the perfect IR, but today it sounds like s**t.
Anyone?
Maybe I should burn-in this IR with some loud pink noise and 60Hz to smooth things out?
I've always wondered if vendors offer a true dead-center position, it almost always doesn't sound good on Celestions.fairly centralish mic positions
I'm fine thanks, that was an exaggerated joke (I do that a lot), sorry to read about your nose.How are your ears?
..and yes, aside from a few YT videos, I think people don't want to disclose the techniques in fear of copyright issues. I remember Mikko Logren posted a video of how to create tone match IRs in 2011 that he later yanked.For whatever it might be worth, I assume most of you guys a) have access to a DAW and b) know how to mix (and possibly match) IRs, right?
Otherwise I could sort of quickly explain the process (I know there's some tools allowing you to directly export mixed IRs, but with those, your options often are limited).
..and yes, aside from a few YT videos, I think people don't want to disclose the techniques in fear of copyright issues.
Does anyone else have an IR that they always use, even though it seems inappropriate in real life?
Yeah. Well, at least I did, until last year.
It's something I created myself, took some IRs of my own cabs with a pretty inappropriate collection of equipment to do the job, wanted to take some pride in getting the most out of it, though, so I mangled and mixed like a madman and finally came up with 1-3 IRs (basically really just one with some slight variations) that I ended up using through my AMT Pangaea (/w various preamp kinda things), Amplifirebox and Helix Floor based rigs. That IR made it through hundreds of gigs in various rather different styles and pretty different environments.
It's only been last year that I changed this when I rebuilt my pedalboard and also kinda redefined the way the modelers on that board were supposed to work, but that old IR is still a main part of the IR blends I'm using now.
For unknown (well, tbh, not exactly unknown, but still kinda wicked...) reasons, it's also the loudest IR I ever came across (it's just normalized as any other IR).
Fwiw, here it is (2 versions, one slightly brighter):
Might sound lackluster at home levels and it's pretty mid-heavy. But that's exactly what made this a great live IR for me (kinda like Fletcher Munson partially defeated built in).
It's funny you mentioned that, I downloaded the free Worship Tutorial acoustic IR pack to try out and at some point I tried it in Helix Native with a distorted guitar track lol. Quite a few sounded like shite but there were a few (maybe the Taylor models?) that actually worked and gave an interesting sound that would fit well in a song track.Does anyone else have an IR that they always use, even though it seems inappropriate in real life? I use Worship Tutorial's Oxford Bassman 212 IR (the Earthworks SR25 mic) for just about everything, including Plexis, Dual Rectifiers, as well as mid gain models like Matchless and Divided By 13 models. It's got a fat open mid-range with a very smooth top and generally sounds fuller than most 412 IRs.
I've often thought about getting the real cab and a power-amp, but I have no ideas if it will translate to real life.
That's fascinating! If you've done 100s of gigs with it then it sounds like it's the right one for you.
copyright issues when you blatantly copy an IR under the EULA agreement and redistribute it.Which techniques exactly? Why would there be copyright issues?
copyright issues when you blatantly copy an IR under the EULA agreement and redistribute it.
I just saw this. Is your rig stereo?Surprise IR: One of Jay's FF Stereo IR's 1960 Cab M25's IIRC. The clarity is so oddly shocking at first, you need to allow your ears to adjust, but they just sit perfectly in most mixes, no boomy lows or harsh high end. They cut through in a pleasant way for lack of a better description.
i had to take a second look at this post because i agree with it so much, i thought i wrote it.York and Ownhammer for me, but mostly York. OH GNR Pack, and one of the newer Mesa 4x12 packs - I mostly use York these days though.
I generally prefer V30's, but after the Kerry Wright M25 Cab, that get's a lot of use. The KW and V30 Dual with BGNR are the most used.
I was going through some patches I made after Helix 3.5 and it's almost all V30 Cali or XXL for those patches. I have a Fav saved and just dump that in by default,
Surprise IR: One of Jay's FF Stereo IR's 1960 Cab M25's IIRC. The clarity is so oddly shocking at first, you need to allow your ears to adjust, but they just sit perfectly in most mixes, no boomy lows or harsh high end. They cut through in a pleasant way for lack of a better description.
4x12's
YA MRSH M25
YA MRSH V30 Dual - Mix 01 mostly, if I want more Mids Mix 11
YA KW 412 M25 - 57-1 Single Mic or Mix 06
FDMN 412 M25-V30 - Mix 09 Blend or Single V30 sometimes the FRED
BGNR V30's - Mix 05 or 06
5153 V20
2x12/2X10
MES 212 V30 - $1. Simple good pick.
212 M65 Cream - Mix 06
VLUX 210 P10R - Because Fender
VX30 212 Blue - I like these when playing around with Matchless Models.
I use it with Helix Stereo Patches via headphones so yes. More specifically I use Native through Logic and Libra as the IR loader so the IR info doesn't get cut off.I just saw this. Is your rig stereo?