The Ceriatone ODS clone I had was a relatively “simple” set and forget amp once I landed on my tone, which was pretty immediate. The cab from Stagecraft was amazing, and that creamy EVM12L .. so who knows what element made the amp.
So many 70s acts loaded Deluxe Reverbs with 12L’s to survive the rigors and volumes of the road and sounded great.
But to my ear the Ceriatone delivered an almost mythical idealized Fender clean. Fat and zingy and sustain for days. Any good amp is pretty much good for any kind of music, but an argument can be made that the Dumble thing wouldn’t have been an improvement over the scooped skinny tones used for so many of our favorite rhythm tracks over the years. But no denying that the “typical” Dumble clean setup is an amazing thing to play.
I don’t know too much about Fuchs, only that every profile / UAD plug and many clips of the real things tend toward an aggressive voicing that isn’t exactly what I’m after. People love ‘em though.
Anyway there’s an old YouTube clip of Tim Lerch comparing edge of breakup tones using an Ethos and a Zen through a Deluxe Reverb. Both sound incredible. Both great pedals, but when the right person is dialing things in, it sort of stops mattering.
(Kidding—it always matters!™)